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THE OXFORD ILLUSTRATED HISTORY OF THE BOOK

A deeply informative, stimulating volume.

A profusely illustrated, handsomely produced intellectual history.

Raven, a history professor and director of the Cambridge Project for the Book Trust, has drawn together scholarly essays offering a sweeping, erudite, and thoroughly engaging narrative focused on “how the book has been remodelled and reformed over time and in different parts of the world.” Beginning with evidence of the earliest writing in 3500 B.C.E. and ending with Google’s project to create a global, digitized library, the contributors consider the technologies and economics involved in textual production, distribution, and reception; varied uses of written material; censorship and piracy; and the ways that books reflect and shape the societies from which they emerge. “What do books do?” asks Eleanor Robson, a scholar of ancient Middle Eastern history, a question that underlies many essays, as does a more basic question: What is a book? Raven suggests that books “offer a durable, portable, or mobile, replicable and legible (that is, readable and communicable) means of recording and disseminating information and knowledge,” although he readily admits that evolving technologies may require a revision of even so capacious a definition. Legal, scholarly, religious, and literary texts survive from ancient times as parchment, scrolls, and steles, and, Robson notes, every literate society “supported a class of professional scribes who were not obviously economically productive.” The spread of basic literacy incited a desire for books. As cultural historian Ann Blair reveals in an essay about information management, readers looked for aids in finding content both within books and among them. The index and table of contents proved to be welcome new innovations, and with a huge proliferation of books resulting from printing, library catalogs became indispensable. Other contributors range across time and place, focusing on the Renaissance and Reformation, the Islamic world, and modern China, Japan, and Korea. In addition to the striking illustrations, Raven also includes a helpful 14-page timeline.

A deeply informative, stimulating volume.

Pub Date: Sept. 1, 2020

ISBN: 978-0-19-870298-6

Page Count: 480

Publisher: Oxford Univ.

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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