HELL’S MAELSTRÖM

An engaging tale of the walking dead and the likely start of a smashing series.

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In this debut novel, Texans fight to stay alive in the wake of an undead apocalypse.

After dead people start attacking the living, Bill McGuire plans to flee Fort Worth as quickly as he can. But after Bill saves Kim Leeds from her undead fiance, the two have no choice but to retreat to his apartment. Both want to check on relatives: Bill’s family is in New Jersey, and Kim has a sister at Bright Well University, which, according to the radio (their only news source), is one of the nearby safe havens. Bill convinces Kim to stay put, at least until the horde of undead outside his apartment abates. Over at the John Peter Smith Hospital’s psych ward, Grace is a patient who wisely absconds from an onslaught of the biting dead. She arms herself with a claw hammer and takes refuge at a seemingly abandoned house. Though she prefers the isolation, Grace must contend with the living and the dead as well as occasional voices. Bill and Kim likewise run into a fair share of fellow survivors, most of whom are rather contemptible or outright lethal. This may soon include Curtis Mintzer, who heads a cultish group that believes the undead uprising is a divine punishment called the Great Retribution. Holed up in a local high school, “congregation” members occasionally go out to scavenge supplies while some search for escape from Curtis’ group. All the while, the dead continue to roam with an insatiable appetite that threatens Texas—and possibly the entire world.

Redmond’s diverting novel checks off several genre staples. Bill and Kim, for example, spend a good deal of time fortifying his apartment and go days or weeks without seeing other living beings. And some humans prove just as deadly as the undead, if not worse. But though myriad characters populate the narrative, the author astutely spends the first half concentrating on Bill, Kim, and Grace. Their two stories aptly dramatize the characters’ increasing desperation as apartment complexes and houses, which initially seem like the safest places, eventually become hubs for violence and death. Bill and Kim are appealing leads who are generally surrounded by copious indisputable villains. Grace, in contrast, is gleefully complicated: She’s strong and capable, but readers ultimately learn that her residence at a psych ward was for a good reason. Redmond provides distinction among the bands of survivors, namely by how they refer to the undead. Curtis’ followers declare them “heathens” while Grace calls them “slayers,” after the media-dubbed killer the Night Slayer—and no one uses the z-word. Concise descriptions keep the story moving at a steady clip even when characters stay in one location for prolonged periods. At the same time, the author strays a bit from the traditional walking dead scenario with an added supernatural component, though it’s primarily ambiguous. This aspect is something a potential sequel could explore along with other elements, from a few surprises at the end to characters who remain a mystery.

An engaging tale of the walking dead and the likely start of a smashing series. (author’s note)

Pub Date: May 9, 2020

ISBN: 978-1-73320-160-5

Page Count: 400

Publisher: Bowker

Review Posted Online: July 25, 2020

MASTERS OF DEATH

A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.

The latest in a series of rereleases from a prolific fantasist’s previously self-published works is a contemporary spin on the fairytale “Godfather Death.”

Viola Marek is an aswang, a shapeshifting vampire from Filipino folklore. She’s also a Chicago real estate agent trying to sell a mansion even while the ghost of its last owner, Thomas Edward Parker IV, is doing his supernatural best to block the sale.  In a desperate attempt to earn her commission, she hires Fox D’Mora, Death’s mortal godson, to use his connection to get the ghost to leave. Unfortunately, Death is unavailable: He’s been kidnapped, and to get him back and prevent a worlds-spanning catastrophe, Fox, Vi, the ghost, and assorted other supernatural creatures will have to enter a high-stakes gambling game that usually only immortals can play…but rarely win. The story begins with an unusual blend of myth, fairy tale, and cosmology and inevitably descends to an almost unbearable level of sentimentality, which is simultaneously a refreshing change from Blake’s usual tableau of self-involved, selfish characters who seem driven toward tragedies of their own making. Blake could definitely do a better job at showing the love between characters rather than merely telling the reader that they’re in love. She also has an unfortunate tendency to skip potentially intriguing bits of backstory if they don’t immediately drive the plot along, which is why readers never learn anything about Fox’s childhood and what it was actually like having Death as a parent. Nor does she explain why only two of the four archangels, Gabriel and Raphael, play outsize roles in determining the order of the cosmos, while Uriel and Michael are nowhere to be seen. Bits of anachronism—like the use of a rubber band as aversion therapy 200 years ago or the presence of a magical wristwatch from a time long before watches were common—might be intended to be Pratchett-style humor or chalked up to magic? It’s hard to tell what’s intentional and what is simply careless. Now that Blake has a traditional publisher, perhaps the editors of her future novels will guide the author to address these issues when they arise.

A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.

Pub Date: Aug. 8, 2023

ISBN: 9781250892461

Page Count: 416

Publisher: Tor

Review Posted Online: Aug. 19, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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  • New York Times Bestseller

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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