An incoherent muddle from start to finish.
This semi-autobiographical first novel, from the author of two true-crime works, is an anything-goes mashup involving child abductions and murders, time travel and the tribulations of a writer of the true-crime variety.
That writer is 34-year-old David Neff, living in Akron, Ohio, in 2012. When David was working as a journalist for an alternative newspaper, he became fascinated by the Brune case. Brune, proclaiming his innocence, had been executed 10 years earlier for the murder of several young girls. Working through his “haunted” papers, David became convinced the killer was Brune’s roommate, Trimble, and wrote an accusatory book. His research came at a cost. Brune, no killer but really bad news, tried to possess David’s spirit. The writer had psychotic episodes until his therapist prescribed a strong medication. It was all worth it; Trimble confessed and the book became a huge bestseller. Commercial success was accompanied by personal tragedy: David’s wife Elizabeth committed suicide. Four years pass and David’s publisher presses him to write another true crime story, this one about the eponymous Man: an Akron recluse, identity a mystery, found murdered in his home. A tangled tale indeed, as timelines dissolve and Renner goes back and forth between the Brune/Trimble story and the new story of The Man. It would be nice if David was a stable element in the flux, but he’s not. Foolishly ignoring his therapist’s advice, he goes off his meds to write his new book, with disastrous results. But it’s in the novel’s final third that we move deep into fantasy. David’s character splits in two and half of him arrives in 2036. As he says, “Understanding time travel and its ramifications is a bit like going insane.” True enough, in Renner’s world. A black egg will hatch as David returns to the present. Watch for a satanic cat and a second killer of young girls.
An incoherent muddle from start to finish.Pub Date: Feb. 28, 2012
ISBN: 978-0-374-20095-4
Page Count: 384
Publisher: Sarah Crichton/Farrar, Straus and Giroux
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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