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Corporate America & The N-Word

A compelling though unpolished analysis of racially motivated workplace harassment and its potential remedies.

A bleak recounting of harassment endured by African-Americans in the workplace over the last two decades.

In this debut nonfiction book, Rodney leads readers through several lawsuits filed in the 1990s and 2000s regarding egregious examples of racially motivated workplace harassment. Quoting heavily from depositions and trial records, Rodney, himself an African-American, presents one environment after another in which workers were subjected to racial slurs, hazing, and threatened and actual violence that went unchecked by supervisors and made their jobs unpleasant and often dangerous. In many cases, trial judges expressed skepticism toward plaintiffs, concluded that the harassment did not constitute a hostile work environment, or found that the employer was not responsible for the results, though Rodney takes note of the several cases in which the victims successfully appealed. Though the vivid details drawn from witness testimonies help bring immediacy to the stories, the narrative suffers from a tendency to overuse ellipses when quoting (“Compensatory damages ‘…are awarded...for plaintiff injuries...as a result of...actions of the defendant e.g., lost wages...mental anguish...pain and suffering...’ ”) as well as frequently unclear prose: “My apprehension toward the ‘nexus between the defendants and the trier of facts’ expressed in the introduction of this book are not appropriate regarding Judge Kobayashi’s management of this case.” Likewise, the decisions to omit a complete bibliography and cite such materials as “Spriggs brief” and “Hilton Memorandum” make it difficult to track down the original sources. The book concludes with a series of guidelines for African-Americans, white allies, and potentially hostile individuals, as well as public policy recommendations designed to improve the regulatory and judicial responses to workplace harassment, which would ideally result in a system more responsive to human needs. While drawing a detailed portrait of a system that does not currently have an adequate response to egregious violations of basic decency, Rodney reminds readers that such harassment is not merely a series of isolated incidents or confined to the reaches of history.

A compelling though unpolished analysis of racially motivated workplace harassment and its potential remedies.

Pub Date: Dec. 20, 2014

ISBN: 978-0578154145

Page Count: 338

Publisher: The Brownlow Group LLC

Review Posted Online: June 8, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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