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CALIBAN'S WAR

From the Expanse series , Vol. 2

Independently intelligible but best appreciated after volume one—and with a huge surprise twist in the last sentence.

Part two of the topnotch space opera begun with Leviathan Wakes (2011), from Corey (aka Daniel Abraham and Ty Franck).  

Previously, a dangerous alien protomolecule was weaponized by an amoral corporation and field-tested against a habitat in the asteroid belt, bringing Earth, Mars and the Belt to the brink of war. Thanks to whistle-blowing Belter spaceship captain Jim Holden, all-out war was averted and the habitat diverted to Venus. Now, the protomolecule has taken over that planet and appears to be building a gigantic, incomprehensible device, a development viewed with alarm by the great powers. Then, on Ganymede, a creature able to survive unprotected in a vacuum, immune to most weapons and hideously strong, wipes out several platoons of marines. Fighting breaks out and the great powers teeter on the brink of war. Mysteriously, just before the monster's appearance, somebody kidnapped a number of children who all suffered from the same disease of the immune system. Botanist Prax Meng, the father of one of the children, asks for Holden's help in finding his daughter. As Ganymede's fragile ecosystem collapses, Holden flees with Prax. Meanwhile, on Earth, fiery old U.N. bigwig Chrisjen Avasarala realizes she's been outmaneuvered by forces in league with the corporation that thinks to control the protomolecule. The characters, many familiar from before, grow as the story expands; tension mounts, action explodes and pages turn relentlessly.

Independently intelligible but best appreciated after volume one—and with a huge surprise twist in the last sentence. 

Pub Date: June 1, 2012

ISBN: 978-0-316-12906-0

Page Count: 624

Publisher: Orbit/Little, Brown

Review Posted Online: April 15, 2012

Kirkus Reviews Issue: May 1, 2012

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WANDERERS

Wendig is clearly wrestling with some of the demons of our time, resulting in a story that is ambitious, bold, and worthy of...

What if the only way to save humanity was to lose almost everyone?

This was kind of inevitable: Wendig (Vultures, 2019, etc.) wrestles with a magnum opus that grapples with culture, science, faith, and our collective anxiety while delivering an epic equal to Steven King’s The Stand (1978). While it’s not advertised as an entry in Wendig’s horrifying Future Proof universe that includes Zer0es (2015) and Invasive (2016), it’s the spiritual next step in the author’s deconstruction of not only our culture, but the awful things that we—humanity—are capable of delivering with our current technology and terrible will. The setup is vividly cinematic: After a comet passes near Earth, a sleeping sickness takes hold, causing victims to start wandering in the same direction, barring those who spontaneously, um, explode. Simultaneously, a government-built, wickedly terrifying AI called Black Swan tells its minders that a disgraced scientist named Benji Ray might be the key to solving the mystery illness. Wendig breaks out a huge cast that includes Benji’s boss, Sadie Emeka; a rock star who’s a nod to King’s Springsteen-esque Larry Underwood; a pair of sisters—one of whom is part of the “herd” of sleepwalkers and one who identifies as a “shepherd” tending to the sick; and Matthew Bird, who leads the faithful at God’s Light Church and who struggles with a world in which technology itself can become either God or the devil incarnate. Anyone who’s touched on Wendig’s oeuvre, let alone his lively social media presence, knows he’s a full-voiced political creature who’s less concerned with left and right than the chasm between right and wrong, and that impulse is fully on display here. Parsing the plot isn’t really critical—Wendig has stretched his considerable talents beyond the hyperkinetic horror that is his wheelhouse to deliver a story about survival that’s not just about you and me, but all of us, together.

Wendig is clearly wrestling with some of the demons of our time, resulting in a story that is ambitious, bold, and worthy of attention.

Pub Date: July 2, 2019

ISBN: 978-0-399-18210-5

Page Count: 800

Publisher: Del Rey

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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THE HITCHHIKER'S GUIDE TO THE GALAXY

Sci-fi, Monty Python-style—as West England villager Arthur Dent becomes the only survivor of Earth, rescued by Ford Prefect of Betelgeuse, a roving researcher for The Hitchhiker's Guide: when Earth is destroyed (demolished by the Vogons to make way for a hyperspatial express route), the two of them escape into a Vogon spaceship.

The hideous Vogons torture our heroes by reading poetry to them, but then they're miraculously picked up by the Starship Heart of Gold—which is powered by "the Infinite Improbability Drive," commanded by Galactic President Zaphod Beeblebrox, and staffed by an epically depressed robot named Marvin with a smart-aleck computer that sings "You'll Never Walk Alone." They're all headed for the legendary planet Magrathea, where roaming Arthur discovers Slartibartfast, the guy who originally made Earth ("Norway. . . that was one of mine. Won an award, you know. Lovely crinkly edges") and is now working on Earth Mark Two. And finally there's a confrontation with the Magrathea rulers—Benjy mouse and Frankie mouse—who want to mince Arthur's Earthling brain.

Lots of pure silliness, too many English references for U.S. readers, but—like moviegoers who sat through Life of Brian for the sake of a few good chuckles—fans of absurd deadpan parody will happily flip through this likable send-up in order to extract a couple of dozen fine giggles.

Pub Date: Sept. 1, 1980

ISBN: 1400052939

Page Count: 271

Publisher: Harmony/Crown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Sept. 1, 1980

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