From literary and emotional standpoints, the essays are charming and memorable.
In this clear and poetic collection of personal essays, Sallis (Bluebottle, 1999, etc.) recounts the beauty and pain he has
experienced as a writer and as a human being. Best known for his Lew Griffin detective novels, Sallis has a talent for conveying sadness and humor simultaneously. In a piece entitled "Literary Life," he claims, "I distinctly remember being happy for almost 5 minutes in the winter of 1976." Striking the same ambivalence, he continues, "Every day I receive letters that say, You write so well, so beautifully. And every day I send letters that say, Where is my money?" Whether describing the beans he savored directly from the can as a starving writer or remembering a few words shared with a woman in the Laundromat, Sallis is unfailingly honest, intelligent, and without pretense in his recollections. As for the human characters he describes, their brief dialogues are reminiscent of Raymond Carver's work—as is Sallis's provocative minimalist style. Each piece is carefully crafted and understated, and the author roots his ideas in philosophy and an appreciation of nature. Rain, tall trees, and poetry play recurrent roles. Many of the essays are elegiac and cathartic, dedicated to individuals who have touched his life—his first wife, his father, a young friend who suffered from cystic fibrosis, and a high school music teacher. He communes intimately with memory, with those he loves and has loved, and with his own writing, revisiting buried emotions, unresolved relationships, and unpublished works. In "Temporary Life," for example, Sallis reworks painful material from a manuscript written after his wife attempted suicide: the story is a touching mix of old and new work, as a writer calls upon old feelings and the words he uses to express them.
From literary and emotional standpoints, the essays are charming and memorable.Pub Date: March 15, 2000
ISBN: 0-930773-58-6
Page Count: 162
Publisher: Black Heron
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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