For a story that places its emphasis on the exponential math of doubling generations, the facts don’t add up.
Witnesses in turn to wagon trains west, the first streetlight, the Great Depression, and World War II, the generations give way to Woodstock’s wild child and social media maniacs.
Regardless of when in time one happens to browse, a grandmother is making sure the next generations are happy and whole. The narration unfolds in a second-person address, so eight greats in the past has “your” ancestor cruising the 1700s. Five greats back finds “your” three-steps-nearer forebear in a one-room schoolhouse in the 1800s. Three greats has her feet planted in the early 1900s. And finally, the latest in a line of grinning wonders (all White-presenting) is smiling out into the 21st century. Solheim takes a 250-year-long trek to illustrate the generational chain that ends with a young mother and her daughter. However, his chronology doesn’t quite mesh with the narrative. “You” are the young hippie’s grandchild, newborn child of the baby she took to Woodstock in 1969. Yet “your” youthful-looking mother must be in her 40s as she holds a swaddled-up “you,” with “your” ex-hippie grandma and other relatives snapping pics on their smartphones. This is not the only extreme generational step. Desierto’s colorful collage images are also out of sync with the narrative. A family with only one bowl to their name has a tablecloth, a pitcher, and a matching cup? A concluding page presents a chart illustrating the number of grandmas that converge in a single person. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at actual size.)
For a story that places its emphasis on the exponential math of doubling generations, the facts don’t add up. (Picture book. 4-9)Pub Date: Feb. 9, 2021
ISBN: 978-0-06-267123-3
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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