by James W. Blinn ‧ RELEASE DATE: May 7, 1997
An antic, abrasively obscene, and extremely noisy first novel that attempts to do for the Persian Gulf War what M.A.S.H. and Catch-22 did for (or, if you will, to) the Korean War and WW II. The narrator, identified only as ``Greg,'' is a Navy airman specializing in tracking submarines who adopts the code name Aardvark. His real interests lie in capturing the screwy vicissitudes of everyday military life with his ``camcorder,'' and saturating himself in the intricate technological shoptalk of a war whose reality seems contained in TV images. Blinn recounts his likable nonhero's picaresque adventures (mixing it up stateside with a married buddy, hunkering down in Hawaii with a female literature major who despises Dead White Males) with a rough, slangy vigor that's great fun whenever his paragraphs aren't clogged with wearying technical detail. The disparity between Aardvark's flip intimacy with the carnage he monitors (while aboard an aircraft carrier heading toward the Mideast) and the very real terror that overtakes him when he's about to be thrust headlong into military action, isn't especially original, except for his wired, frantic, funny voice. The best things here are the impudent mockery of military logic (``Why practice anti-submarine warfare when the bad guys don't have subs?'') and the fresh comic invention (a pair of old ladies overheard discussing their favorite serial killers; an imitation-American fast food joint that advertises ``Dessert Storm Combos—Patriot burgers and Smart Bomb fries''). The novel's worst features—which, unfortunately, predominate—are its numerous echoes of Catch-22, which include its protagonist's flustered efforts to avoid combat, a comrade's surprising descent into murder and madness, a ship's doctor who calls himself ``Daneeka,'' and a bloody, surreal climax. Joseph Heller may not want to sue, but he won't want to finish the book either. Though this debut has both style and energy, it lacks the savage originality of the predecessors Blinn so clearly admires. (Author tour)
Pub Date: May 7, 1997
ISBN: 0-316-09987-2
Page Count: 288
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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