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POLITE SEX

For his fifth novel, Wilcox (Sort of Rich, 1989, etc.) leaves the everyday comedy of small-town Louisiana for more serious matters in New York City, where a few Tula Springs natives struggle with ambition and disappointment, and faith and disillusion. Wilcox plays with perspective in a narrative that jumps back and forth in time as he follows the lives of two Louisiana girls who come to the big city in the early 70's with seemingly opposite goals. The high-minded Emily Brix, whose parents are pretty low on the Tula Springs social ladder, wants to conquer the serious stage fresh from her years at Smith. Instead, she finds herself working as a ``glorified receptionist'' for a Times Square movie-production company, where she reads countless scripts that offend her lofty cultural standards. This petite, virginal, self-effacing blonde eventually marries Hugh Vanderbilt, a well-healed graduate student in theology at Union, whose practical proposal leads to an unromantic marriage. Meanwhile, Clara Tilman, a hometown beauty and friend of Emily's sister, decides to become a model to escape her abusive boyfriend back home, the studly F.X. Pickens (the future coke-head ex-con of Modern Baptists). With luck and newly acquired savvy, Clara exploits her southern belle act and earns modest fame as a TV actress while Emily's life spirals downward. Her acting career never takes off; her marriage falls apart; and she finds herself a dumpy 40-year-old living in cramped quarters and working at a test-preparation center. Things are never as clear as they seem here, and Wilcox's narrative style allows him to return to key events, exposing the passionate and messier truths of everyone's sexual behavior. Emily proves the most serious misrememberer- she's also a sexually repressed expert at denial who shares a dark secret with her alter-ego Clara. A surprisingly ordinary fiction from the otherwise gifted Wilcox, whose first venture outside Tula Springs drifts, with little humor to steer it straight.

Pub Date: June 1, 1991

ISBN: 0-06-016356-9

Page Count: 288

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1991

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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