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Until My Heart Stops

A remarkable collection of hard-earned, melancholic wisdom.

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Novelist Currier (A Gathering Storm, 2014, etc.) collects four decades of essays in this nonfiction volume.

In the 59 pieces contained in this volume, which Currier says is “as close as I may come to publishing a memoir,” he examines the relationships, jobs, passions, and health problems that shaped the course of his long writing life. From his childhood in conservative, suburban Georgia to his experiences in New York City’s gay community during the AIDS crisis to developments in LGBT civil rights, Currier mines his memory to present an intimate, if necessarily incomplete, self-portrait composed over many years. In “Passing Grades,” a 30-year-old Currier worries that he’s becoming less attractive to strangers on the street. “That Summer” has the author returning to a beach town where he once spent a season with a close friend, now dead. In “Lessons,” he describes coming out of self-imposed celibacy to have an affair with a man who’s married to a woman. These are all morality tales of a sort that an older man might wish he could share with his younger self. In many cases, the author attempts to figure out just where things went wrong—where a mistake was made, what it taught him, and whether he learned enough, at the time of writing, not to make such an error again. Currier is a masterful essayist, adept at lingering over a meaningful detail or capturing a complex emotion in a simple phrase. Of remembering his deceased friend, for example, he writes: “ ‘My friend’ becomes an emptied phrase repeated throughout the years.” There’s also charming humor, as when he describes seeing his first musical, a touring production of The Unsinkable Molly Brown: “it was the most inspirational thing I had ever seen; it was as if I had personally discovered the face of Jesus on the side of a potato.” The mix of voices and perspectives, all from one man at different ages and states of maturity, gives this collection a kaleidoscopic quality, and a multifarious vision emerges that’s simultaneously fractured and whole.

A remarkable collection of hard-earned, melancholic wisdom.

Pub Date: Dec. 1, 2015

ISBN: 978-1-937627-17-1

Page Count: 430

Publisher: Chelsea Station Editions

Review Posted Online: Nov. 25, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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