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THE MIDDLESTEINS

A sharp-tongued, sweet-natured masterpiece of Jewish family life.

From Attenberg (The Melting Season, 2010, etc.), the deeply satisfying story of a Chicago family coming apart at the seams and weaving together at the same time.

Former lawyer Edie Middlestein has always been a large presence, brilliant as a lawyer, loving as a mother, shrewish as a wife. Since early childhood, food has been her private if not secret passion. The novel is organized according to Edie’s fluctuations in weight, and the descriptions of her sensual joy in the gluttony that may be killing her are often mouthwatering. Sixty-ish Edie is obese and ravaged by diabetes. When her pharmacist husband, Richard, leaves her shortly before she’s scheduled for an operation, Edie’s children are outraged. Thirty-one-year-old teacher Robin is a fearful near alcoholic who has avoided intimacy since a disastrous experience in high school. Ironically, her new self-proclaimed hatred of her father opens her to the possibility of a relationship with her geeky neighbor Daniel, a gentle soul with a hidden but strong spine, not unlike Robin’s older brother Benny. Benny is happily married to Rachelle, a woman of fierce protectiveness who initially denies Richard all access to his grandchildren to punish him for his desertion. Is Richard a heartless, selfish man, or is he correct that Edie left him years before he left her? A little of both. All these characters feel more than one emotion at a time, and all are more than they first seem. Edie is an overbearing matriarch in her family, but a lovable saint to the owner of her favorite Chinese restaurant. Richard is a schlemiel, except that he is capable of real love. While the novel focuses intensely on each member of the family, it also offers a panoramic, more broadly humorous, verging-on-caricature view of the Midwestern Jewish suburbia in which the Middlesteins are immersed, from the shopping centers to the synagogues. But as the Middlesteins and their friends move back and forth in time, their lives take on increasing depth individually and together.

A sharp-tongued, sweet-natured masterpiece of Jewish family life.

Pub Date: Oct. 23, 2012

ISBN: 978-1-4555-0721-4

Page Count: 288

Publisher: Grand Central Publishing

Review Posted Online: April 28, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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