Nothing to write home about.
Confusion about idioms plus rudeness in the cafeteria equals unpleasant consequences for second-graders Patrick and Richard.
Prankster Patrick loves nothing more than a good joke. Richard is determined that Patrick will never get him in trouble with his joking again. It’s Mind Your Manners Month at school, and the cafeteria is a challenging place to stay out of trouble. When Patrick and Richard decide to suck red Jell-O up a straw and pretend to be vampires, they end up freaking out Sophie, the new student from France, who thinks she is seeing blood. Mr. E., the vice principal, gets doused in “blood.” The boys are busted for having such horrible manners, but things get a little more complicated when Sophie tells the boys they are stupid. “I call a cat a cat,” she declares. Thus begins the running joke of the book: French idioms are different from American ones. When Sophie “makes white cabbage,” it takes a bit of work for the boys to understand she is drawing a blank. Readers will enjoy trying to untangle Sophie’s idiomatic speech and will be glad to see both boys pay their debts. Neither boy is particularly likable, however, and Patrick’s father—who encourages his son’s naughtiness—is especially unpleasant. One unfortunate running gag—Mr. E. is mocked for his enormous stash of size XXXXL T-shirts—does not play out in the illustrations, in which his size is depicted as unremarkable.
Nothing to write home about. (Fiction. 7-12)Pub Date: Aug. 25, 2015
ISBN: 978-0-544-05680-0
Page Count: 144
Publisher: Clarion Books
Review Posted Online: April 28, 2015
Kirkus Reviews Issue: May 15, 2015
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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