A sharply intelligent, warmhearted embrace of human imperfection—the kind of book that invites a second reading.

THE CENTER OF EVERYTHING

Despite various mysteries and suspicious deaths in this story about a Montana woman uncovering secrets past and present, Harrison wisely concentrates less on plot twists than on exploring the trickiness of memory where love and family are concerned.

Over the course of a week in the summer of 2002, 42-year-old Polly, a married mother of two and sometime editor who helps her husband run his restaurant in Livingston, Montana, finds herself coping with several crises at once. Since a recent bicycle accident, Polly has struggled with memory problems, remembering too much as well as too little. As she prepares for a large family reunion to celebrate her great aunt Maude’s 90th birthday, disjointed images of the past haunt her, and arguments with her mother, Jane—a highly successful historian who's written about "the eternal nature of stories"—about whether some of Polly’s memories may be false, have exacerbated her fear of losing her mind. Meanwhile, her children’s babysitter, Ariel, is missing and presumed drowned after a kayaking mishap. The tragedy involves Polly and the tight-knit Livingston community first in a search for Ariel, then in mourning, then in uncomfortable suspicions surrounding Ariel’s kayaking companion and apparent boyfriend. Polly’s emotional turmoil is the center of the novel as she fixates not only on Ariel’s death, but also on what exactly happened in 1968, "when her world blew up.” Another layer of understanding comes in chapters in which the 1968 events, extremes of joy and tragedy, are seen through Polly’s limited 7-year-old perspective. The result is a kaleidoscope of facts and recollections that reveal emotional as well as factual truth only in tantalizing fragments. Some mysteries remain unsolved; others Polly solves, sometimes to her dismay. Through small moments, particularly shared meals and drinks, the reader becomes intimately involved in Polly’s inner life and falls in love with a vividly portrayed Montana devoid of Western clichés.

A sharply intelligent, warmhearted embrace of human imperfection—the kind of book that invites a second reading.

Pub Date: Jan. 12, 2021

ISBN: 978-1-64009-234-1

Page Count: 304

Publisher: Counterpoint

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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REMINDERS OF HIM

After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.

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TOMORROW, AND TOMORROW, AND TOMORROW

The adventures of a trio of genius kids united by their love of gaming and each other.

When Sam Masur recognizes Sadie Green in a crowded Boston subway station, midway through their college careers at Harvard and MIT, he shouts, “SADIE MIRANDA GREEN. YOU HAVE DIED OF DYSENTERY!” This is a reference to the hundreds of hours—609 to be exact—the two spent playing “Oregon Trail” and other games when they met in the children’s ward of a hospital where Sam was slowly and incompletely recovering from a traumatic injury and where Sadie was secretly racking up community service hours by spending time with him, a fact which caused the rift that has separated them until now. They determine that they both still game, and before long they’re spending the summer writing a soon-to-be-famous game together in the apartment that belongs to Sam's roommate, the gorgeous, wealthy acting student Marx Watanabe. Marx becomes the third corner of their triangle, and decades of action ensue, much of it set in Los Angeles, some in the virtual realm, all of it riveting. A lifelong gamer herself, Zevin has written the book she was born to write, a love letter to every aspect of gaming. For example, here’s the passage introducing the professor Sadie is sleeping with and his graphic engine, both of which play a continuing role in the story: “The seminar was led by twenty-eight-year-old Dov Mizrah....It was said of Dov that he was like the two Johns (Carmack, Romero), the American boy geniuses who'd programmed and designed Commander Keen and Doom, rolled into one. Dov was famous for his mane of dark, curly hair, wearing tight leather pants to gaming conventions, and yes, a game called Dead Sea, an underwater zombie adventure, originally for PC, for which he had invented a groundbreaking graphics engine, Ulysses, to render photorealistic light and shadow in water.” Readers who recognize the references will enjoy them, and those who don't can look them up and/or simply absorb them. Zevin’s delight in her characters, their qualities, and their projects sprinkles a layer of fairy dust over the whole enterprise.

Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.

Pub Date: July 5, 2022

ISBN: 978-0-593-32120-1

Page Count: 416

Publisher: Knopf

Review Posted Online: April 13, 2022

Kirkus Reviews Issue: May 1, 2022

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