A touching exploration of identity and reinvention painted with gentle yet precise brush strokes.
In Hoang’s assured debut, a young artist makes peace with a crushing diagnosis and takes a stab at reinvention.
What would you do if your very identity were about to be erased? That’s the fundamental question Aubrey Johnson must answer—quickly. At the novel’s outset, the young, talented painter is handed a damning diagnosis: retinitis pigmentosa, a genetic disorder that will blind her in six to eight weeks. As Aubrey tries to wrap her head around her condition, she runs into an old friend, Jeff Anderson. Jeff and Aubs had been best friends in high school before life took them on separate paths. Now Jeff is back, suggesting Aubrey accompany him on a trip around the world. Aubrey grabs at the chance to pack as many life-altering experiences as she can in a few weeks, while Jeff in turn is seeking some clarity in his own personal life. The novel’s central premise—a gifted painter losing her vision—might seem too neat a hook on which to hang a story, yet Hoang successfully prevents the narrative from spiraling into cliché. Insights that Aubrey slowly gathers—“Maybe the question you should be asking yourself is why you feel like what you have isn’t enough”—sometimes come across as trite life lessons, but they are more than made up for with flashes of inspired writing. Aubrey narrates the story, which has touches of romance, in the first person, and Hoang’s characterization is so impressive that the novel reads like a memoir. Readers see the world (China, India, Jordan, Israel, Brazil, Peru) through Aubrey’s artistic point of view, the result of which is often refreshing. She describes the Dead Sea, for example, as a place with “a lack of visual noise.” Despite having been dealt a cruel hand, Aubrey still has a lot going for her, including caring friends and a career that blossomed early. Her imagination first flourished after a visit to the Rothko Chapel in Houston, known for its dark, somber modern art. In contrast—and reassuringly—Aubrey’s artistic vision continues to shine plenty of light even as the natural world around her slowly fades to black.
A touching exploration of identity and reinvention painted with gentle yet precise brush strokes.Pub Date: Dec. 11, 2014
ISBN: N/A
Page Count: 236
Publisher: Hey Jamie
Review Posted Online: Dec. 18, 2014
Kirkus Reviews Issue: Jan. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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