A bracing mix of emotionally and intellectually honest fantasy.
In this romantic tale, a champion of women’s empowerment stumbles on a hidden—and seemingly perfect—society.
Morgan Lua, head and founder of the Hope Foundation, has just arrived in New York City. Advocating for girls’ educational success, she’ll be a star attraction at the Girl’s Speak Out conference. The mayor introduces her to Gabriel Warren, head of the philanthropic group Ange’el and her host in New York. While Morgan is entranced by his gorgeous blue-green eyes, she also finds, in his suite at the Pierre Hotel, “no sign of vanity. Everything about him was practical and simple and yet of great quality and taste.” He invites her to a gala at the Metropolitan Museum of Art, but the evening is interrupted by knife-wielding assailants. Gabriel subdues them, later revealing that he’s with the CIA, assigned to protect her from those aligned with the Men’s Rights Defense group and their speaker and presidential candidate, Walter Zanus. Further attacks lead Gabriel to take his protection of Morgan to the utmost—he brings her home to Ahe’ey, the secret realm from which he and his genetically enhanced brethren hail. In Ahe’ey, Morgan discovers stunning, nature-infused architecture and a functioning matriarchy. Yet the more she learns about Gabriel’s world, the less ideal it becomes. In her invigorating fantasy series opener, Le Fay (Ange’el, 2014) flaunts her progressive heart proudly, as when Morgan says citizens need to get “the best out of every young person regardless of gender, race, sexual orientation or aptitude.” Zanus, meanwhile, stands in for the actual 45th president of the U.S. in saying of his “pure daughters” that if “they weren’t” mine, “I’d be dating them.” Le Fay also creates a robust mythology surrounding the four tribes of Ahe’ey: the Ange’el, the Ma’asai, the Yi’ingo, and the Hu’urei. Thirty years ago, civil war resulted in the sequestering of these bloodlines, and men are forbidden to rule. Gabriel realizes, however, that their “demise...started the day we designed an unequal society.” His and Morgan’s love proves transformative, and readers should delight in witnessing its repercussions.
A bracing mix of emotionally and intellectually honest fantasy.Pub Date: April 26, 2017
ISBN: 978-0-646-96918-3
Page Count: 696
Publisher: CreateSpace
Review Posted Online: April 10, 2017
Kirkus Reviews Issue: May 1, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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