An excellent springboard for school-age kids to discover who they are and where they come from.

THIS IS ME

A STORY OF WHO WE ARE AND WHERE WE CAME FROM

In their latest venture, Curtis and Cornell tackle the question of identity and deconstruct it to a level young people can understand.

To prompt her students’ journeys of self-discovery, the Asian-American teacher/narrator starts by telling the story of her great- grandmother who “came from a far, distant place. She came on a boat with just this small case” filled with the things she loved best. “What would YOU take?” the teacher asks her class. Curtis does a fine job spanning the broad spectrum of America’s children today (as does Cornell in her playful, full-of-details signature style). “My baby-tooth tin,” says a blonde, white girl with orthodontic headgear. “Abuelo’s beret, my ukulele, my St. Christopher medal to look out for me,” says a grinning Latino boy. Most choices are to be expected—a Barbie doll, Nintendo DS—but some are perplexingly from the wrong generation: how many kids will get “my Groucho Marx glasses / Weird Al–signed CD”? Overall, kids will find Curtis’ “to know yourself, you must know your roots” message resonant and will be scrambling to fill the pop-up suitcase at the back of the book with items that say to the world, “HI THERE, THIS IS ME!” (The library edition omits the problematic-for-circulation final pop-up flourish.)

An excellent springboard for school-age kids to discover who they are and where they come from. (Picture book. 5-9)

Pub Date: Sept. 20, 2016

ISBN: 978-0-7611-8011-1

Page Count: 32

Publisher: Workman

Review Posted Online: June 22, 2016

Kirkus Reviews Issue: July 1, 2016

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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Wins for compassion and for the refusal to let physical limitations hold one back.

TINY T. REX AND THE IMPOSSIBLE HUG

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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