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SUNNY GALE

A moving, memorable, and fully realized rodeo saga.

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In Forbes’ historical novel, a woman fights for the right to compete in rodeos—and becomes a star in the process.

When Hannah Brandt, who comes from a hardscrabble background in Ohio and Nebraska, first gets to ride a horse in 1895 at the age of 14,she realizes that there is no going back to the way things were: Her destiny is to be a rodeo star and break new ground as a female bronco rider. She wins first place in a race at the Cheyenne Frontier Days rodeo at 18, and soon she’s known by a new name: Sunny Gale. Her marriage to her first husband, Luke Mangum, ends in divorce and she’s taken in by the Pickering clan, who are rodeo royalty. After she marries Tad Pickering, her star continues to rise as she and her spouse amaze crowds with “Roman Riding,” each of them standing astride two galloping horses. When tragedy occurs, Sunny quits the clan and moves on again, leaving behind her mother, Francine; her daughter, Mollie; and her son, Scott. She experiences more ups and downs as the years go by, including times of great sadness. She finds a refuge in New Mexico with one-legged rancher Angus Laroche, who dispenses tough love to her when she really needs it. But her love life continues to be complicated, and the novel’s resolution sees her life come full circle, after a fashion.

This is a story of rodeos, marriages, sexism, and social mores—all churned together. In a wonderful afterword, Forbes offers a little-known real-life account of when women competed in the roughest of rodeo events from the very end of the 19th century to the early 1930s, In fact, Sunny Gale is modeled on the real-life Prairie Rose Henderson, and her rival, Ruth Pickering, is inspired by Bonnie McCarroll. These women’s competitions became as big a draw as the men’s, and they were quite lucrative; it was only after some tragic mishaps that censorious men took the opportunity to subjugate female riders again. The uneasy truce between the sexes is evident on every page of the novel; for example, after Hannah’s first outing and win, Luke proudly announces to the press that she’s “Mrs. Luke Mangum.” However, it’s made clear that, for Sunny, the rodeo always comes first—no matter how rough that is on her spouses and, notably, on her children. Forbes effectively portrays her as a sympathetic rather than annoyingly self-involved. Most readers will understand her actions, simply because she’s consistently self-aware and never forgets the costs of her choices. Forbes is an experienced author, and her latest novel is beautifully, even poetically, written with well-developed characters. At one point, while sidelined by pregnancy, Sunny glumly realizes that “fecundity, not horsemanship, was the exalted state toward which women were to aspire.” Yet, years later, reflecting on the vital dates on Mollie’s tombstone, a stricken Sunny gazes on “Time locked in brackets which even the stoutest heart couldn’t break.”

A moving, memorable, and fully realized rodeo saga.

Pub Date: May 30, 2024

ISBN: 9781941052723

Page Count: 340

Publisher: Pronghorn Press

Review Posted Online: April 4, 2024

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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