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THE COUP

Playboy editor Malanowski (Loose Lips, 1995, etc.) deftly shoots fat fish in the barrel that is the nation’s capital.

The U.S. vice president, wondering if he really couldn’t do a much better job than his boss, finds a way to answer that interesting question.

Godwin Pope is restless. The filthy rich Silicon Valley entrepreneur, having been sweet-talked into running with the low-life Louisiana politician who cut him off at the knees in the presidential primaries, has found the pitcher of lukewarm spit that is the vice-presidency to be as stultifying as all of its incumbents warned it would be. Worse than the boredom for handsome bachelor Pope is the frustration of seeing his opponent-turned-running mate royally screwing up the job that Godwin could have done well. This is not just his opinion. President Jack Mahone’s poll figures make President George W. Bush’s numbers look robust. Everybody agrees he’s in over his head. And now the party insiders have started to admit that the wrong man is in the Oval Office. The last straw for Godwin is a request from the president to do what in less august circumstances would be called pimping. Then the vice president, who made his zillions seeing and seizing opportunities that would be invisible to lesser mortals, spots a way to bring Mahone’s wretched rule to an end. There is a splendid confluence of chance events, involving a satellite sale to the Chinese, the dreams of the president’s country singer brother and some spectacularly compromising videos of a prominent football player that, with just the right tweaking from Godwin, will almost certainly do the trick. Does it bother Godwin that his manipulations unwittingly involve the love of his life, a Pulitzer Prize–winning reporter trying to redeem her career after revelations of sexual impropriety? Or that he is essentially framing an innocent man? Or that his scheme will involve his only real friend? Hey. Politics ain’t beanbag.

Playboy editor Malanowski (Loose Lips, 1995, etc.) deftly shoots fat fish in the barrel that is the nation’s capital.

Pub Date: July 17, 2007

ISBN: 978-0-385-52048-4

Page Count: 240

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2007

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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