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SOCIALIST DREAMS AND BEAUTY QUEENS

A COUCHSURFER'S MEMOIR OF VENEZUELA

A raw, uncut journey into the wilds of Venezuela.

Travel writer Maslin (Iranian Rappers and Persian Porn: A Hitchhiker's Adventures in the New Iran, 2009) offers a firsthand account of the many debacles endured throughout his Venezuelan trek. Yet what makes his story unique is the manner in which he chooses to experience the country—by couch surfing, a get-what-you-pay-for approach to traveling in which hosts open their homes to strangers. The result is a comic tale in which Maslin soon finds himself accosted by corrupt cops and abandoned by unruly cab drivers, as well as serving as pincushion to an overzealous nurse and her needle. While the author blends his problematic personal narrative alongside Venezuela's historical backdrop, and current turbulent politics under the leadership of loose cannon Hugo Chávez the personal tale wins out. His experiences on the ground depict a poverty-stricken nation with a predatory populace looking to exploit naïve travelers. However, Maslin provides another view as well, in which the beauty-obsessed citizens somehow find the funds to frequent plastic surgeons with the regularity most people reserve for dentists. Venezuela's body-complex epidemic comes into even sharper focus as the author draws connections between plastic surgery and the country's love for beauty pageants—a cultural undercurrent that transforms young girls to grown women with the flick of a scalpel. Maslin soon moves beyond the Venezuelan people's proclivities, devoting equal time to the country's natural beauty, including a journey into the dense jungles to glimpse Angel Falls, the world’s tallest waterfall. This juxtaposition between people and place—as well as beauties both natural and otherwise—offers a rare commentary on a country most readers know little about. A complex portrait of Venezuela's people, poverty and promise.

 

Pub Date: June 1, 2011

ISBN: 978-1-61608-221-5

Page Count: 304

Publisher: Skyhorse Publishing

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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