A consistently exciting debut with complex characters.
In this police procedural, a detective returns to her hometown to solve her sister’s murder and becomes the prime suspect in a serial murder case.
Detective Claire Wolfe returns to her hometown of Newburgh and joins the police department, ostensibly to stay near her aging parents. [8-9] Claire’s true motive concerns her sister Tina's unsolved murder twelve years ago. [6] Millen gives sensitive visual representations of characters; Claire’s mother appears as an “old woman” whose “Gray streaks had invaded her untamed bush of blonde hair like weeds,” and “shifty eyes, her head wobbling.” [59] As young girls matching Tina’s profile (“fourteen years old…blonde hair and blue eyes [and] studied at Newburgh Middle School” [89]) become victims, [81, 126] and the case expands to a serial killer investigation, [87] Claire becomes a suspect because she accessed Tina’s case file on her first day at work [15, 231] and because the killings resumed immediately after she moved back to Newburgh. [233] Millen’s strength lies in her ability to convey information subtly rather than via reportage; readers become participants and receive moments of cathartic release urging them on. When Claire and a potential witness find themselves cornered by a SWAT team and Claire tries to escape in a car, but the SWAT team’s bullets destroy the vehicle, [298] readers must figure out for themselves what happened to the witness. Like Claire, they must take up the mantra, "Look for what's missing." [25] In fact, Claire finds her witness through a common escape technique when the story escapes a writer’s control—the deus ex machina. At the moment Claire decides to commit suicide, her phone rings, and her witness invites her to her home. [275] Yet, when balanced against a holistic assessment of the novel, this improbable circumstance does not register.
A consistently exciting debut with complex characters.Pub Date: Jan. 10, 2022
ISBN: 978-1-950139-07-1
Page Count: 412
Publisher: Independently Published
Review Posted Online: Nov. 14, 2021
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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