by Jamie Sumner ‧ RELEASE DATE: Sept. 1, 2020
A vivid, sensitive exploration of invisible disability, family bonds, and the complex reality of happily-ever-after.
A 12-year-old girl navigates sensory processing disorder and complicated emotions when she’s removed from her mother’s care.
Lou Montgomery hasn’t attended school in over a year. Instead, she and her mother scratch out a nomadic living, performing in casinos and diners and sleeping in their worn-out truck as her ambitious mother scouts the country for Lou’s “next big gig.” Lou loves singing; her voice “makes me feel stronger than I am,” she tells readers. But she hates performing; loud sounds hurt “like knives” and leave her screaming, and light touch makes her flinch. When her mother’s investigated for neglect and Lou’s sent to live with her wealthy aunt and uncle, Lou’s new world—regular meals, a fancy private school, and a diagnosis of sensory processing disorder—overwhelms her even more. Her voice alternately wry, naïve, and wise beyond her years, Lou confronts sensory overload, self-consciousness, and her simultaneous love for and anger toward her mother in poetic, poignant prose. The way she contrasts poverty and privilege is thought-provoking; her dread of being labeled a “special-needs kid” is realistic. Though Lou’s friendship with quirky theater classmate Well sometimes feels too good to be true (would that all kids were so endearingly and instantly accepting of neurodivergence), Sumner realistically avoids fairy-tale endings while still closing on a hopeful note. Most characters, including Lou, default to White; Well’s mother is Japanese American.
A vivid, sensitive exploration of invisible disability, family bonds, and the complex reality of happily-ever-after. (Fiction. 8-12)Pub Date: Sept. 1, 2020
ISBN: 978-1-5344-5700-3
Page Count: 288
Publisher: Atheneum
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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by Jeff Kinney ; illustrated by Jeff Kinney ‧ RELEASE DATE: Nov. 5, 2019
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
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SEEN & HEARD
by James Patterson & Kwame Alexander ; illustrated by Dawud Anyabwile ‧ RELEASE DATE: Oct. 5, 2020
A stellar collaboration that introduces an important and intriguing individual to today’s readers.
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Best Books Of 2020
New York Times Bestseller
Two bestselling authors imagine the boyhood of the man who became the legendary boxing icon Muhammad Ali.
Cassius was a spirited child growing up in segregated Louisville, Kentucky. He had a loving home with his parents and younger brother, Rudy. Granddaddy Herman also was an important figure, imparting life lessons. His parents wanted him to succeed in school, but Cassius had difficulty reading and found more pleasure in playing and exploring outdoors. Early on, he and Rudy knew the restrictions of being African American, for example, encountering “Whites Only” signs at parks, but the brothers dreamed of fame like that enjoyed by Black boxer Joe Louis. Popular Cassius was especially close to Lucius “Lucky” Wakely; despite their academic differences, their deep connection remained after Lucky received a scholarship to a Catholic school. When Cassius wandered into the Columbia Boxing Gym, it seemed to be destiny, and he developed into a successful youth boxer. Told in two voices, with prose for the voice of Lucky and free verse for Cassius, the narrative provides readers with a multidimensional view of the early life of and influences on an important figure in sports and social change. Lucky’s observations give context while Cassius’ poetry encapsulates his drive, energy, and gift with words. Combined with dynamic illustrations by Anyabwile, the book captures the historical and social environment that produced Muhammad Ali.
A stellar collaboration that introduces an important and intriguing individual to today’s readers. (bibliography) (Biographical novel. 8-12)Pub Date: Oct. 5, 2020
ISBN: 978-0-316-49816-6
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown and HMH Books
Review Posted Online: Aug. 3, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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