A vivid, sensitive exploration of invisible disability, family bonds, and the complex reality of happily-ever-after.
A 12-year-old girl navigates sensory processing disorder and complicated emotions when she’s removed from her mother’s care.
Lou Montgomery hasn’t attended school in over a year. Instead, she and her mother scratch out a nomadic living, performing in casinos and diners and sleeping in their worn-out truck as her ambitious mother scouts the country for Lou’s “next big gig.” Lou loves singing; her voice “makes me feel stronger than I am,” she tells readers. But she hates performing; loud sounds hurt “like knives” and leave her screaming, and light touch makes her flinch. When her mother’s investigated for neglect and Lou’s sent to live with her wealthy aunt and uncle, Lou’s new world—regular meals, a fancy private school, and a diagnosis of sensory processing disorder—overwhelms her even more. Her voice alternately wry, naïve, and wise beyond her years, Lou confronts sensory overload, self-consciousness, and her simultaneous love for and anger toward her mother in poetic, poignant prose. The way she contrasts poverty and privilege is thought-provoking; her dread of being labeled a “special-needs kid” is realistic. Though Lou’s friendship with quirky theater classmate Well sometimes feels too good to be true (would that all kids were so endearingly and instantly accepting of neurodivergence), Sumner realistically avoids fairy-tale endings while still closing on a hopeful note. Most characters, including Lou, default to White; Well’s mother is Japanese American.
A vivid, sensitive exploration of invisible disability, family bonds, and the complex reality of happily-ever-after. (Fiction. 8-12)Pub Date: Sept. 1, 2020
ISBN: 978-1-5344-5700-3
Page Count: 288
Publisher: Atheneum
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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