A necrobibliac classic (in the tradition of Nancy Mitford’s American Way of Death): it may keep you up all night—not from...
Grave matters are treated with wit and erudition in this study of premature burial throughout Western history, from physician Bondeson (The London Monster, 2000, etc.).
When one 18th-century French proponent for burial reform wrote that “Death is certain, since it is inevitable, but also uncertain, since its diagnosis is sometimes fallible,” he was living in a time when feather quill tickling, urine mouthwashing, and tobacco smoke enemas were all advocated as instruments in the precise diagnosis and certification of death. Bondeson’s macabre study begins in European antiquity and moves swiftly through the medieval superstitions and Renaissance legends. The bulk of the text deals with the period from 1750–1900 in Europe and America, years that correspond with the development of Western medicine as we know it. The author, a doctor himself, exhumes some fascinating material—from the history of the German Leichenhauser (waiting mortuaries—where bells were tied to the fingers of corpses should they bestir and shake themselves back to life) to the literary and philosophical overtones of the French debate on accuracy in death certification. Quacks, eccentrics, and charlatans run as rampant as earnest medical reformers throughout Bondeson’s account, while the forces of ambition and greed are as constant as those of fear and humanitarianism. He follows the history of premature interment up to the present day (yes, Virginia, cases of premature burial still occur), and one digressive chapter deals with the depiction of premature burial in art (particularly books and movies) from Edgar Allan Poe to Roger Corman. The impressive medical history uncovered by the author’s thoroughgoing research is well-presented and somewhat better than his argument (which falls somewhat by the wayside) that the fear of premature burial was ever as widespread as he suggests.
A necrobibliac classic (in the tradition of Nancy Mitford’s American Way of Death): it may keep you up all night—not from fear but from fascination.Pub Date: March 1, 2001
ISBN: 0-393-04906-X
Page Count: 256
Publisher: Norton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2001
Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.
A cornucopia of shrewd cultural observations from New York Times columnist West (Shrill: Notes From a Loud Woman, 2016).
In 18 pointed essays, the author addresses a variety of topics, including frivolous internet sensation Grumpy Cat, South Park, Guy Fieri, and the global significance of abortion rights and gender equality. In West’s opening tirade, she denounces Donald Trump’s repetitive usage of the term “witch hunt” while scrutinizing his uncanny “ability to conjure reality out of hot air and spittle.” This essay serves as the launching pad for further pieces exposing the sorry state of contemporary American politics and popular culture. Tough, irritated, and eager to speak her truth, the author expounds on the unifying aspects of visibility and activism to cultivate change, especially when countering the denigration of women. Her sharp wit and no-nonsense sense of humor also shine through her dissection of the work of Adam Sandler, Gwyneth Paltrow’s diet plan (her avocado smoothie “could give diarrhea an existential crisis”), and how movies like Clue shaped her perspectives and appreciation for one-liners and physical comedy. West rarely minces words, especially regarding documentaries on the Ted Bundy murders and the Fyre Festival or when expressing her sheer appreciation for the legacy of Joan Rivers, and her writing is fluid and multifaceted. Though she often rages at social injustice, she also becomes solemnly poetic when discussing her fondness for the drizzly Pacific Northwest, where she was raised and still resides, a place where she can still feel her deceased father’s presence “in the ridges and grooves of my city—we are close, superimposed, separated only by time, and what’s that? This is the only religion I can relate to.” Only occasionally are the smoothly written essays hijacked by intrusive asides—e.g., her experience inside a proselytizing Uber driver’s car, a scene wedged into her reflections on climate change. Though uneven at times, the author drives home the critical issues of our time while taking time to tickle our funny bones.
Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.Pub Date: Nov. 5, 2019
ISBN: 978-0-316-44988-5
Page Count: 272
Publisher: Hachette
Review Posted Online: Sept. 10, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
An intriguing examination of the complexity of female power in a variety of relationships.
A collection of personal journal entries from the feminist writer that explores power dynamics and “a subject [she] kept coming back to: women strong in public, weak in private.”
Cultural critic and essayist Roiphe (Cultural Reporting and Criticism/New York Univ.; The Violet Hour: Great Writers at the End, 2016, etc.), perhaps best known for the views she expressed on victimization in The Morning After: Sex, Fear, and Feminism (1994), is used to being at the center of controversy. In her latest work, the author uses her personal journals to examine the contradictions that often exist between the public and private lives of women, including her own. At first, the fragmented notebook entries seem overly scattered, but they soon evolve into a cohesive analysis of the complex power dynamics facing women on a daily basis. As Roiphe shares details from her own life, she weaves in quotes from the writings of other seemingly powerful female writers who had similar experiences, including Sylvia Plath, Simone de Beauvoir, Virginia Woolf, and Hillary Clinton. In one entry, Roiphe theorizes that her early published writings were an attempt to “control and tame the narrative,” further explaining that she has “so long and so passionately resisted the victim role” because she does not view herself as “purely a victim” and not “purely powerless.” However, she adds, that does not mean she “was not facing a man who was twisting or distorting his power; it does not mean that the wrongness, the overwhelmed feeling was not there.” Throughout the book, the author probes the question of why women so often subjugate their power in their private lives, but she never quite finds a satisfying answer. The final entry, however, answers the question of why she chose to share these personal journal entries with the public: “To be so exposed feels dangerous, but having done it, I also feel free.”
An intriguing examination of the complexity of female power in a variety of relationships.Pub Date: March 3, 2020
ISBN: 978-1-9821-2801-2
Page Count: 256
Publisher: Free Press
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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