An idealized view of farm life; for a more artistic approach, see Nancy Tafuri’s This Is the Farmer (1994) or Elizabeth...

A FARMER'S LIFE FOR ME

A romantic view of the working life of a busy farm is conveyed in a series of irregularly metered three-line rhyming verses followed by a jaunty refrain.

“Down in the paddock, we check the water trough. / The horses are thirsty; have they got enough? / Turn on the hosepipe. Whoosh! Now turn it off. / 1,2,3, it’s a farmer’s life for me.” From milking cows to gathering eggs, cherry picking, and tending to pigs, sheep and horses, parents and children cheerily do the work and embrace it with a “1,2,3, it’s a farmer’s life for me.” Young and old work side by side to mow and rake the hay or feed the hungry lambs. Inside the farmhouse, baking a cake and cutting it into eight slices makes a pleasant afternoon break. Cartoonish art in earthy and summery greens are rendered in gouache and acrylic that is then crafted through digital collage. The art creates an animated atmosphere for this elated group of singing family farmers. Backmatter provides a more informative view on the products resulting from a working farm. An enclosed CD (not heard) presents the text as a song performed by the Flannery Brothers; the written music is also included.

An idealized view of farm life; for a more artistic approach, see Nancy Tafuri’s This Is the Farmer (1994) or Elizabeth Spurr’s Farm Life, illustrated by Steve Björkman (2003). (Picture book. 3-5)

Pub Date: April 1, 2013

ISBN: 978-1-84686-790-3

Page Count: 24

Publisher: Barefoot Books

Review Posted Online: Feb. 4, 2013

Kirkus Reviews Issue: March 1, 2013

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Superheroes, and readers, will live happily-ever-after.

THE THREE LITTLE SUPERPIGS AND THE GINGERBREAD MAN

Why have fairy tales lasted so long? Maybe it’s because they change with every teller.

It takes surprisingly little effort to turn the Three Little Pigs into superheroes. The Big Bad Wolf basically started out as a supervillain, with the ability to blow a house down, and the pigs had to perform spectacular feats to outwit him. In this picture book, the wolf, locked in the Happily Never After tower, devises a plot to escape. Using rotten eggs and spicy ginger, he creates the Gingerbread Man, who makes his way to a baking contest where the three pigs and other fairy-tale characters are competing to win the key to the city. The Gingerbread Man grabs the key, and not even superhero pigs are fast enough to catch him, but with their secret weapon—mustard (which one of the pigs also uses to bake cookies)—they save the day. The morals: Evil never triumphs, and mustard cookies are delicious. The book’s charm is in the details. There are splotches of mustard on the cookies featured on the endpapers, and a sly-looking mouse is hiding on many of the pages. The story even manages to include more than a dozen fairy-tale figures without seeming frenzied. Evans’ use of shading is so skillful that it almost seems possible to reach out and touch the characters. Most of the human characters are light-skinned. (This book was reviewed digitally.)

Superheroes, and readers, will live happily-ever-after. (Picture book. 3-5)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-68221-2

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 27, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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Though this celebration of community is joyful, there just is not much here.

ONE LOVE

A sugary poem, very loosely based on the familiar song, lacks focus.

Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”

Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)

Pub Date: Oct. 5, 2011

ISBN: 978-1-4521-0224-5

Page Count: 32

Publisher: Chronicle Books

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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