by Jan L. Coates ‧ RELEASE DATE: Feb. 1, 2011
Jacob Deng was 7 years old when the northern militia invaded and destroyed his village in Southern Sudan, sending Jacob and thousands of other boys on an exodus to Ethiopia. The “never-ending chain” of boys followed the rising sun to safety, braving lion and crocodile attacks, mosquitoes and malaria, poisonous snakes, scorpions, gunfire and bombs. After three years in Pinyudo Refugee Camp, the refugees were chased out of Ethiopia and walked on to the Kakuma Refugee Camp in Kenya, where Jacob began to sense his place in the world as a storyteller, translator and writer. Inspired by Jacob’s true story, Coates writes vividly and poetically, establishing a clear historical context for her inspirational tale. One sketchy map is included, but a series of good maps would have helped young readers better visualize Jacob’s journey. A good match with Linda Sue Park’s A Long Walk to Water (2010) and Mary Williams’ picture book Brothers in Hope, illustrated by R. Gregory Christie (2005). From the beginning, Jacob Deng embodied the spirit of Wadeng, the faith that tomorrow will be better, and by the end of the tale, Jacob as storyteller and writer is poised to enter a wider world, where “there are as many books in the world as there are stars in the African sky.” (Historical fiction. 12 & up)
Pub Date: Feb. 1, 2011
ISBN: 978-0-88995-451-9
Page Count: 298
Publisher: Red Deer Press
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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by Jan L. Coates ; illustrated by Suzanne Del Rizzo
by Katherena Vermette illustrated by Scott B. Henderson Donovan Yaciuk ‧ RELEASE DATE: March 15, 2018
A sparse, beautifully drawn story about a teen discovering her heritage.
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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
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by Julia Riew & Brad Riew ‧ RELEASE DATE: July 29, 2025
An unwieldy but emotionally intense fantasy.
In the Riew siblings’ debut, inspired by their Korean grandparents’ experiences during Japan’s early-20th-century colonization of Korea, a hunt is on for the last surviving tiger.
In the Tiger Colonies, this fantasy world’s version of occupied Korea, tigers have been nearly wiped out by the Dragon Empire. These oppressive rulers believe that tiger ki, or powers, strengthen the Tiger people, and therefore, the animals must be exterminated. Lee Seung, who’s from a poor Tiger family, works for the wealthy Chois, a Tiger family who collaborate with the Dragons. Choi Eunji might live in material comfort, but her home feels like “a cage” thanks to her parents’ high expectations and control of her every move. She offers to tutor Seung for the Adachi Training Academy’s entrance exam; graduates attain elite, powerful positions. In return he’ll help Eunji experience life outside her cloistered manor. Despite their class differences, both teens long for freedom, but Seung fails the exam, and their paths diverge. They reunite during a frantic search for the last tiger—but are their motivations aligned? Some plot developments feel contrived, and the introduction of real historical elements at times feels deliberately educational rather than naturally emerging from the story. Nevertheless, the story vividly highlights the plight of Koreans during a traumatic era.
An unwieldy but emotionally intense fantasy. (authors’ note, diary excerpts) (Fantasy. 12-18)Pub Date: July 29, 2025
ISBN: 9798217002047
Page Count: 416
Publisher: Kokila
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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