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THE RUMOR

A JATAKA TALE FROM INDIA

Thornhill (Before and After, 1997, etc.) retells the ancient “sky is falling!” tale informally: being a “worrywart,” a hare is startled into believing that the world is breaking up when a mango falls behind him. Soon he’s joined in his flight by 999 more hares, plus “a thousand boars,” “a thousand deer,” and “a thousand tigers,” etc.—all of whom are stopped in their tracks by a calm lion, who gets to the cause of the panic and leaves everyone “pretty embarrassed.” Frames set off Thornhill’s increasingly crowded paintings, which in composition, as well as delicacy of natural detail, resemble Demi’s Indian-flavored art, though not as delicately. In each frame, the mango is dominant, but careful observers will note that the background echoes the palm grove or thicket or marsh of each new animal to join the throng. The telling is arch and clever, pitched just right for reading aloud with a grin, though the final scene of the thousands of animals returning to their habitat might be hard for a group to see without getting close. Not a replacement for Rafe Martin’s Foolish Rabbit’s Big Mistake, illustrated by Ed Young (1985), this does have a slightly different focus as, beyond the tale itself, the cast is composed of endangered Indian animals, all of whom are introduced at the end with a note about their loss of habitat. (Picture book/folk tale. 5-8)

Pub Date: Sept. 15, 2002

ISBN: 1-894379-39-X

Page Count: 32

Publisher: Firefly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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