by Jane Ashford ‧ RELEASE DATE: Dec. 29, 2020
A sweet Regency romance with a healthy dose of mystery and resolution.
Matchmaker, matchmaker, make yourself a match.
Arthur Shelton, Earl of Macklin, is known for his heavy hand in other people’s love lives—a widower himself, he’s helped many young men heal their broken hearts by finding true love. And when he realizes he’s ready to find love again, he heads to London to visit old friends—“and who knew what else might turn up?” But it’s not in a ballroom where he finds his match; instead, while walking down the street with a friend, he meets Teresa Alvarez de Granada and feels an instant attraction though he knows little about her—and she intends to keep it that way. Teresa, having escaped a difficult life in Spain, wants nothing to do with Arthur or any other man, especially a nobleman—she only wants to paint for the theater and enjoy her quiet apartment. But when several dancers at Teresa's theater go missing and Arthur offers to use his standing to help find them, the investigation brings the two closer together. Despite Teresa's attempts to keep Arthur at a distance, she finds herself starting to believe he really is the man he seems to be, but just as they start to connect, pieces of her past reappear and may keep them apart. The finale to Ashford’s The Way to a Lord’s Heart series will satisfy readers who have wondered about the mysterious nobleman from the previous entries. Ashford explores the ideas of privilege and nobility with the help of Lord Macklin as well as cameos from characters from earlier books, which is satisfying. Though there are awkward moments, particularly with Teresa’s inconsistent use of Spanish, the story is quite sweet despite some dark moments in the discovery of the missing dancers. As with earlier entries, Ashford’s greatest strength is in depicting moments of true connection in relationships, both friendly and romantic, and readers more interested in those moments than steamy love scenes will find much to enjoy here.
A sweet Regency romance with a healthy dose of mystery and resolution.Pub Date: Dec. 29, 2020
ISBN: 978-1-4926-6347-8
Page Count: 320
Publisher: Sourcebooks Casablanca
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
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More by Jane Ashford
BOOK REVIEW
by Jane Ashford
BOOK REVIEW
by Jane Ashford
BOOK REVIEW
by Jane Ashford
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Marie Bostwick ‧ RELEASE DATE: April 22, 2025
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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