Another of Aiken's playful yet hearty romantic fancies, with a cast lifted (respectfully) from the luminously peopled novels of Jane Austen. Aiken's previous novel, Eliza's Daughter (1994), focused on an offstage figure from Sense and Sensibility who confronts the former, now unhappy, Dashwood sisters. Aiken has wisely jettisoned attempts at irony and witty pyrotechnics; still, her cast members here, borrowed from Austen, take some entertaining turns. In Austen's bleak and sketchy The Watsons, probably begun in 1804 and never finished, Elizabeth Watson confides to sister Emma, with whom she has been reunited after Emma's 14 years with kind Aunt Maria, grim thoughts on their single state: "You know we must marry . . . it is very bad to grow old and be poor and laughed at." But that seems to be the fate of these young women, now in their 20s, for their father, a gentle clergyman, is quite poor. The soon-to-be family head is pompous, unsympathetic brother Robert, married to horrid Jane, "callow" and unhelpful. Their sisters Penelope and Margaret are generally unpleasant. Aiken picks up Austen's tale and carries it imaginatively along. Penelope marries nice, elderly Dr. Harding, and buys, renovates, and moves into a grand, if decaying mansion. But heartaches abound: Elizabeth's former suitor marries another; kind brother Sam is refused marriage to pleasant Mary Edwards, pledged to dim Lord Osborne. Emma is not attracted to curate Adam, because he's tethered to the dowager Lady Osborne. And dear Aunt Maria has vanished after having borne up under the weight of a miserable marriage for many years. Before the close, when lovers will traipse off hand in hand, there will be reversals and upheavals; a fatal accident; a destructive theft and elopement; disclosure of an old scandal; a rescue; and even a rousing horse race. As always, for those attuned to Austen, and to Aiken's imaginative, respectful variations, simply charming.
Pub Date: Aug. 1, 1996
ISBN: 0312145934
Page Count: 221
Publisher: St. Martin's
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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