by Jane Breskin Zalben & illustrated by Jane Breskin Zalben ‧ RELEASE DATE: Sept. 1, 2007
According to an old Kabbalah legend, when God made the world, “he wanted to paint everything with a special kind of light so the world would shine with goodness.” Too powerful to be stored in a jar, the light burst forth, shattering into shards all over the globe. To make the world whole and peaceful again, God created people to help search for and find each broken piece of light. This rendition of an old midrash creation story is filled with a beautiful and simple message of hope. A peaceful coexistence is still possible for a world that is torn apart by war, hunger and blind hatred, if people look for the spark of light in everyone and everything. As in her biographical collection, Paths to Peace (2006), Zalben departs from her usual artistic style with this symbolic and elegant interpretation of the Judaic practice of “Tikun Olam,” or healing of the world. Using a combined media of paints, pencil and various household and other objects such as pieces of sand, seaweed, kasha grains, flower petals and cleansers, Zalben matches her well-crafted words with detailed and delicate collages of naturalistic plant and animal scenes and a multicultural group of dancing, joyful children surrounded by the glitter and glow of all those shards of light. Special and inspiring for all cultures. (Picture book. 5-12)
Pub Date: Sept. 1, 2007
ISBN: 978-0-525-47827-0
Page Count: 40
Publisher: Dutton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2007
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Ellen Potter ; illustrated by Felicita Sala ‧ RELEASE DATE: April 10, 2018
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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