An Edwardian theater love story that tests the boundaries of just how unlikable a romance hero can be.


Two thespians strut and fret and argue throughout their hour upon the stage together.

The Honorable Miss Fenella Grantley knows she should be grateful for her life of ease and privilege, but everything feels unrelentingly gloomy to her. Except, that is, when she sneaks out to Bloomsbury for her acting classes. Those classes get even more interesting when playwright Edward Tremayne, by-blow of the Earl of Pendleton, comes to class with a draft of his newest work, Sapphire. She takes an immediate dislike to Edward and his “arrogance and contempt,” so he takes her for hot chocolate to apologize for his rudeness. And despite the fact that the two can’t go more than a few sentences at a time without bickering, they soon become intimate, and a few days later, they’ve not only slept together, but Fenella is also concocting elaborate excuses to spend the night at his lodgings. Both are prickly and prone to misunderstandings, but they are continually drawn back to each other and have to decide whether their chemistry can or should survive the tumult of these continuous conflicts. Unfortunately, it will be hard for many readers to look forward to this happy ending. From their first meeting, Edward seems unnecessarily unkind to Fenella, and although this is supposedly because of his nerves and attraction to her, modern sensibilities may find him creepy and overbearing rather than charming. Additionally, his obsession with Sapphire and insistence that Fenella perform her role in exactly the way he’s imagined it is an unfortunately timeless example of a male artist who puts his ego before all others—not exactly the swoon-inspiring stuff of a romance hero. For her part, Fenella is pleasingly independent, which makes her attraction to Edward all the more confusing. The book, second in a series but able to stand alone, may appeal to Feather’s longtime fans but is unlikely to work for readers who aren’t already inclined to give her the benefit of the doubt.

An Edwardian theater love story that tests the boundaries of just how unlikable a romance hero can be.

Pub Date: Jan. 28, 2020

ISBN: 978-1-4201-4362-1

Page Count: 304

Publisher: Zebra/Kensington

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...


Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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