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SECOND CHANCE

Warm and chummy exploration of how friends can become our chosen families.

The sudden death of their close friend in a terrorist attack triggers big changes in the lives of four school friends who reunite after 20 years.

When affable British-born internet mogul Tom Fitzgerald’s Boston-bound train is bombed, his stunned friends get together at his memorial service in London to reflect on his, and their own, lives. All in their late 30s, the group includes journalist Paul, Hollywood actress Saffron and earthy Olivia, who runs an animal shelter. There is also Tom’s longtime “best friend” Holly, a part-time illustrator and mother of two married to a rich lawyer. On the surface, their lives appear placid enough, but as they rekindle their friendship the cracks appear. Onetime womanizer Paul is happily married to Swedish businesswoman Anna, but the two are going broke over repeated in-vitro treatments that the increasingly child-desperate Anna insists on having. Olivia, in contrast, finds herself single and pregnant, and at a loss over what to do. Saffron is a recovering alcoholic carrying on a secret relationship with a married movie star she met in AA. And Holly—perhaps hit hardest by Tom’s death—feels increasingly alienated from her pompous prig of a husband Marcus, and preoccupied over what might have been with Tom if the two had only acted on their attraction, and not married other people. In her vulnerable state, Holly grows closer to Tom’s younger brother Will, a charming carpenter who nursed a secret crush on her when they were kids. Another crisis tightens the group after Saffron’s affair is exposed, and she falls off the wagon. Then they all congregate at Paul and Anna’s dilapidated rural home, for more bonding, rebuilding and assorted country shenanigans. Considering its subject matter, Green’s latest (Swapping Lives, 2006, etc.) is neither morbid nor overly sentimental, with sensible and appealing characters who, for the most part, end up doing the right thing.

Warm and chummy exploration of how friends can become our chosen families.

Pub Date: June 19, 2007

ISBN: 978-0-670-03857-2

Page Count: 384

Publisher: Viking

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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