A provocative story about youth culture during the 1960s, overflowing with sex, drugs, and rock and roll.
A small-town British girl relocates to London, where she gets involved with a fast crowd that introduces her to psychedelic drugs, free love, and complicated questions.
In 1960s England, Claire Collins has long yearned to leave rural Dorset and build a bigger life full of glamour. When her widowed father remarries, her desire to hit the road only intensifies. After a particularly nasty fight with her stepmother, Claire boards the first train to London with little more than pocket money and determination. After a dicey beginning, she finds lodging in a hostel and a job working as a shopgirl. Then she meets John McKenna, a young man with connections to the burgeoning British music scene. Before long, John is introducing Claire to one celebrity after another, well-known musicians and famous groupies. On a whim, Claire’s new famous friends bring her to Morocco, where she meets Talitha Getty, the wife of enormously wealthy Paul Getty. As Claire falls under the dizzying spell of riches and nonstop parties, she tries everything her new friends offer her, from LSD to opium and orgies. The more deeply entrenched she becomes, the more she begins to wonder whether the new life she’s created for herself contains more pitfalls than prizes. Chock-full of vibrant historical details about London and Morocco in the 1960s, Green’s first foray into historical fiction does not disappoint. The novel shines brightest when Claire, who narrates, first arrives in London and again when she forms her initial impressions of Morocco. Green portrays the scenery and atmosphere so vividly that readers will be instantly transported. The descriptions of Marrakech, with its bright colors and beautiful architecture, present an especial sensory delight. While Claire seems to believe the story she tells is about Talitha, the narrative is really about an average girl’s brief brush with fame during an unprecedented time, tackling difficult questions of self-doubt, fulfillment, and individual purpose—complete with cameo appearances by Mick Jagger, John Lennon, and a host of others.
A provocative story about youth culture during the 1960s, overflowing with sex, drugs, and rock and roll.Pub Date: April 5, 2022
ISBN: 978-1-335-42578-2
Page Count: 304
Publisher: Hanover Square Press
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
