Not previously published in the US, this is Green’s first outing, precursor to the much more entertaining Jemima J (2000)...
London girlfriends.
Tasha is intelligent, sophisticated, and successful—just like her best pals Mel, Emma, and Andy, who meet for lunch once a week and chat incessantly. Alas, a dreary but inescapable truth has cast a pall over their sunny fantasies of lifelong love: Men Are Bastards. Especially the handsome ones. Oh, bloody hell—why are these four brave women such fools? Are all males of the species cruel and selfish? Yet handsome bastards remain must-have accessories. Television producer Tasha still pines for Simon, a fabulously witty editor who dumped her for a blond model. Therapist Mel—so good, so genuine—must cope with the antics of Daniel, a lecherous lawyer. Emma simply cannot get Richard, her significant other, to commit. And Andy, the youngest, happily flirts with all comers, sadly unaware that she too is doomed to suffer the pain of unrequited passion. Different kinds of pain are explored in exhausting detail: the Pain of Being Single, of a Meaningless Relationship, of Divorce, of Marriage. Perhaps, muses Tasha, it’s all the fault of her mother, who endured her handsome husband’s infidelities for too long. Her irritating shrink, Louise, concurs. Could it be that Tasha’s childhood plumpness was an effort to comfort herself with food? Louise is quick at making these connections and repeatedly pointing out the obvious. When not soaking dozens of Kleenexes in Louise’s office, Tasha goes out with Simon’s friend Adam, a kindly bear of a man who is unfortunately far too normal and unexciting. And so she finds herself inexorably drawn to a suave heartbreaker (see above: unresolved Oedipal issues), as if searching for more proof that men are indeed no good. The girlfriends weigh in with their opinions—so many insights! Pages of them! But Adam soldiers on, determined to demonstrate his fundamental decency—and surprising skill in bed. Happy ending.
Not previously published in the US, this is Green’s first outing, precursor to the much more entertaining Jemima J (2000) and Mr. Maybe (2001).Pub Date: Sept. 23, 2003
ISBN: 0-7679-1559-3
Page Count: 304
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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