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THE CHRISTMAS KNIGHT

Retelling a story found in ``a fifteenth-century manuscript in the Advocates Library in Edinburgh,'' Curry shows her way with words: ``Good Sir Cleges housed the homeless. He fed the foodless. He helped the hapless.'' Eventually, the good knight's feasts for the poor drive him and his family end into poverty. One wintry day, after Sir Cleges humbles himself by admitting he loved the praise gained by his good works, a blessing befalls him—a cherry bough laden with fruit, which he carries to King Uther. Thus he becomes the ``Christmas Knight,'' whose charity is sponsored by royalty. DiSalvo-Ryan's watercolors offer more depth and detail than usual in her work; her evocation of the setting is quite nice, though she flattens the perspective abruptly on one page (some of the merry folk in the foreground are smaller than people in the background). Also, the furniture in this scene is placed differently two pages later. For those who can overlook such idiosyncrasies: a fine first taste of knightly valor. (Picture book. 5-9)

Pub Date: Oct. 29, 1993

ISBN: 0-689-50572-8

Page Count: 32

Publisher: McElderry

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1993

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HOW TO CATCH A LOVEOSAURUS

From the How To Catch… series

Sugary uplift, shrink-wrapped for the masses.

An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.

Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)

Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)

Pub Date: Dec. 6, 2022

ISBN: 9781728268781

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 17, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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CELEBRATE KWANZAA

WITH CANDLES, COMMUNITY, AND THE FRUITS OF THE HARVEST

From the Holidays Around the World series

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.

An overview of the modern African-American holiday.

This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4263-2849-7

Page Count: 40

Publisher: National Geographic Kids

Review Posted Online: Oct. 27, 2017

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