The charm of Lidie’s thoughtful, curious, witty narration keeps our attention on a less cataclysmic round of adventures.
After the heartbreak of her earlier experiences, a 19th-century American woman heads across the Atlantic Ocean.
When Lidie Newton returns to her hometown of Quincy, Illinois, from the Kansas Territory in 1857, having lost her abolitionist husband, her stillborn baby, her beloved horse, and an enslaved woman she hoped to guide to freedom, her dull older half sisters offer little comfort. Then her niece, Annie, just a year younger than Lidie and usually so busy with household chores that she’s practically a servant, lands a part in a play as well as an out-of-town patron who wants to support her acting career. Soon she’s proposing that Lidie join her in running away from home. In this sequel to The All-True Travels and Adventures of Lidie Newton (1998), Smiley moves the troubles of 1850s America into the background as this unlikely pair board a ship, change their names, and start new lives in the Liverpool home of Mr. and Mrs. Mallory Cunningham. Lidie is now Helen Longbourn, lady’s maid to Anne Revere, the latter quickly recognized as a fresh new face in local theater. “Helen” is not always able to outrun the sorrows that haunt her, but Smiley gives her lots of avenues to try. She forms strong friendships with the Cunninghams’ butler and consumptive daughter, as well as with a local gardener and a handsome Irish fellow she meets on the street. But since this is Jane Smiley, her most effective healing will be delivered on hooves, at the racetrack: Mr. Cunningham purchases a horse named Toffee, whom Helen helps train and travels regionally to watch compete. She enjoys helping Anne prepare for parts in Macbeth and other plays; she reads Austen, Trollope, and Thackeray; she toys with falling in love again. Then Smiley swoops in with a twist that puts an abrupt end to the Helen Longbourn role. Perhaps Lidie, like the reader, can sense that none of her present plot arcs is really going anywhere very interesting. Except, perhaps, Volume 3.
The charm of Lidie’s thoughtful, curious, witty narration keeps our attention on a less cataclysmic round of adventures.Pub Date: April 21, 2026
ISBN: 9780593802298
Page Count: 336
Publisher: Knopf
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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