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AMERICAN GOURMET

The Sterns (The Encyclopedia of Bad Taste, 1990, etc.) step upscale for this treatment of the gourmet quarter-century they place between the first televised cooking show in 1946 and the opening of Alice Waters's Chez Panisse in 1971. This time, instead of showcasing the worst examples of a period dish, they try to select the best, so if you can forget about cholesterol, you might find yourself nostalgia-tripping with such innocent showoff foods as fondue, cràpes suzette, and baked Alaska. Unlike the exclusionary epicures before them or the status-grabbing foodies of the Eighties, the Sterns maintain, the gourmets featured here were motivated by a sense of adventure about exploring foreign foods and a genuine desire to experience and provide pleasurable dining. The Sterns' commentary on all this is on the mark (though they misrepresent Taste of America authors John and Karen Hess, who came later and were antigourmet), entertaining (uncovering many cookbooks, cooking shows, and new flamboyant restaurants from Trader Vic's—the ersatz Polynesian establishment created out of a French Canadian's Oakland place called Hinky Dink's—to the more serious Four Seasons), and fondly evocative of those heady days of sauced and flaming spectacles.*justify no* The Sterns (The Encyclopedia of Bad Taste, 1990, etc.) step upscale for this treatment of the gourmet quarter-century they place between the first televised cooking show in 1946 and the opening of Alice Waters's Chez Panisse in 1971. This time, instead of showcasing the worst examples of a period dish, they try to select the best, so if you can forget about cholesterol, you might find yourself nostalgia-tripping with such innocent showoff foods as fondue, cràpes suzette, and baked Alaska. Unlike the exclusionary epicures before them or the status-grabbing foodies of the Eighties, the Sterns maintain, the gourmets featured here were motivated by a sense of adventure about exploring foreign foods and a genuine desire to experience and provide pleasurable dining. The Sterns' commentary on all this is on the mark (though they misrepresent Taste of America authors John and Karen Hess, who came later and were antigourmet), entertaining (uncovering many cookbooks, cooking shows, and new flamboyant restaurants from Trader Vic's—the ersatz Polynesian establishment created out of a French Canadian's Oakland place called Hinky Dink's—to the more serious Four Seasons), and fondly evocative of those heady days of sauced and flaming

Pub Date: Oct. 1, 1991

ISBN: 0-06-016710-6

Page Count: 304

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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