The Sterns (Way Out West, 1993, etc.), pop culture's Boswells, turn their attentions to more blue-blooded purlieus in this deeply satisfying chronicle of a year spent on the dog-show circuit. Some time back the Sterns owned a purebred dog, a flatulent bulldog, Richard by name. Richard was entered in a local show. Richard savaged the judge's trouser cuff. So much for Richard's championship season. No matter, the Sterns retained their fascination with the show ring, and this book is the result. Attaching themselves to Mimi Einstein, breeder and shower of bullmastiffs, they sought maximum immersion in the dog show ``subculture with its own rules, lingo, and codes of behavior.'' The Sterns tour with Einstein from small venues to large, from the early season Eastern shows, then the grueling summer show in Texas, to the apex of the circuit at the Westminster Dog Show in New York City, with many a stop in between. They detail the competitive maneuverings of the owners and handlers, breed trends, the search for bodily perfection according to the American Kennel Club standard. They delve deep, exploring the ``original intent'' of the breed (bullmastiffs have no white in their coat, for they were bred to be guardians of the night at country estates, where a splash of white might give them away) and how show dogs ``express the soul of the culture at large,'' a Stern specialty for any topic they tackle. There are forays into poodleland (how about a Royal Dutch clip and high-teased topknot?) and Canary Island Gripping Dog turf (they'd as soon be at your throat as look at you), but mostly the Sterns lavish their attentions on Einstein's dogs. Readers will emerge with a real feeling of kinship with Sam and Rusty and Mugsy Malone. Droll, warm, and impeccably researched—another Stern treasure. (Author tour)
Pub Date: Feb. 1, 1997
ISBN: 0-684-82253-9
Page Count: 192
Publisher: Scribner
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 1996
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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