A frothy and stirring tale that blends music, magic, and romance.
A magical being fleeing her past encounters a young pianist in this novel.
Kalida is one of the Cavern-born, beings whose magical abilities and fighting prowess have made them multi-realm conquerors. Music seems harsh and unnatural to the cold, cruel Cavern-born, but after hearing a prisoner’s song, Kalida finds herself unable to bear her home’s darkness and violence. She escapes to the woods in the realm of Andrea, where she watches the Snowden children, Christine and Charlie, grow up in a nearby manor. Penniless pianist Desmond “Des” Fairweather visits the manor one day at the urging of his friend Jake Banner, a tabloid reporter chasing a scoop that the now-adult Christine can talk to her garden flowers. Des has a tragic past—a spell gone wrong killed his parents—and is reluctant to acknowledge or practice magic. But Jake is convinced Des attracts magical beings and promises an audition with a local symphony in exchange for the musician’s help. Taking a moment to practice on Christine’s piano, Des glimpses an enigmatic woman who seems entranced by his music. The woman, of course, is Kalida. As Jake searches for a story and helps Christine tackle her problems—Charlie is missing and a cousin is scheming to acquire the manor—Des and Kalida pursue a deeper connection. But Kalida’s Cavern-born family has come to take her back to its realm, endangering the whole group. Tesh (The Monsters of Spiders’ Rest, 2017, etc.) writes movingly of Kalida’s gradual metamorphosis after hearing the prisoner’s song (“a crack in our world”), making a compelling case for the transformative power of music. Des and Jake’s interactions are snappily written, with their combative banter and Jake’s antics lending a screwball comedy appeal to balance Kalida’s heavier story. When Des and Kalida do properly meet, a mysterious connection becomes romantic a bit too quickly to not feel forced. The weight put on their sudden true love causes the novel’s later portions to feel a bit rushed. Despite these structural problems, the book delivers a fun read.
A frothy and stirring tale that blends music, magic, and romance.Pub Date: June 15, 2017
ISBN: 978-1-60975-124-1
Page Count: 216
Publisher: Silver Leaf Books
Review Posted Online: Dec. 1, 2017
Review Program: Kirkus Indie
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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