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A LIFE IN SCHOOL

WHAT THE TEACHER LEARNED

Tompkins's whiny musings on the state of American education, told through her own story of a lifetime in academia. Tompkins (West of Everything, 1992) seems to have had a pretty easy time of it: She grew up white and middle class, attended Bryn Mawr and Yale. She landed a teaching position immediately after graduate school, took some time off, got another teaching position, and was then tenured at Temple University. After leaving her second husband for the legendary scholar Stanley Fish, she and Fish were soon picked up and tenured by Duke University, where Tompkins now teaches English. It sounds like an academic's dream come true, but Tompkins doesn't see it that way. Here she picks through her schooling, finding fault with nearly everything she encountered: She didn't like going to school when she was young. She tried too hard to please the teachers. She once wet her pants in front of her sixth-grade class while giving a book report. Her mother, an insomniac, took naps in the afternoon. She hated a classmate who said something clever in a graduate English class. These somewhat disjointed remembrances and other anecdotes are Tompkins's proof of a malevolent force behind our educational institutions—the obsessive quest to educate (as opposed to a shared exploration by student and teacher). Her prescription is for teachers to adapt her style of instruction, using open discussions, intensive interaction, fluid syllabi. This may work for college English classes, but what about courses where a mastery of set material is more important than the immediate pleasure of the student and teacher, such as, say, medical school? While a nonstressful, nonconfrontational school environment is a wonderful goal, Tompkins offers little practical advice on how to attain it.

Pub Date: Nov. 1, 1996

ISBN: 0-201-91212-0

Page Count: 256

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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