An artful and affecting novel of loss and reconnection.
A museum curator’s job in London forces her to confront an old heartache in Ward’s novel.
Noel Enfield has been stuck in her position as the Director of Collections at Massachusetts’ Field-Lyons Museum for years. She allowed her career to languish to give her full attention to her husband and stepdaughter, Alice. Now, just as her marriage is ending in divorce and her relationship with Alice is in doubt, Noel has received an offer: a six-month appointment at the renowned Addison Gallery in London, to be followed by a promotion when she returns to the Field-Lyons. She leaps at the opportunity—how could she not, especially when she learns her accommodations will be large enough for Alice to come visit? But London isn’t exactly a clean slate for Noel. She was a university student there, years ago, when she fell in love with Bryn Jones, a Welsh artist whom she planned to marry. The relationship ended soon after Noel discovered she was pregnant, and she retreated to America without a husband, a child, or her degree. Now, Noel’s position at the Addison has placed her at the center of the London art scene, where long-lost acquaintances from her university days—including the now-established Bryn—pop back into her life. It turns out the past is much more complicated than Noel ever knew, but will pursuing a chance at the family Noel might have had cost her the one she’s desperately fighting to save? Ward writes of art and the art world with precision and vigor, as here when she describes one of Bryn’s paintings: “The painting—unfinished—was of a lake…Bold strokes and varying thicknesses of paint suggested textured fields in the distance, remnants of snow on the mountains, red flowers—or were those lichens?—dotting the rocks lakeside.” The story deftly leaps back and forth between the early 1990s and the present, crafting a romance that, while predictable in places, always manages to hold the contented reader in the palm of its hand.
An artful and affecting novel of loss and reconnection.Pub Date: Feb. 10, 2026
ISBN: 9798896360667
Page Count: 256
Publisher: She Writes Press
Review Posted Online: Oct. 15, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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