by Jane Wilsher ; illustrated by Andrés Lozano ‧ RELEASE DATE: Feb. 2, 2021
Just the ticket for mechanically curious kids.
A detachable acetate eyepiece lets budding engineers peek into buildings, the inner workings of vehicles from bicycles to submarines, and even a human torso.
Peering through the colored spyglass embedded in the front cover at Lozano’s cartoon scenes makes large areas of red stippling or crosshatching disappear, revealing electrical wiring and other infrastructure in or under buildings, robots at work on an assembly line, the insides of a jet and a container ship, and other hidden areas or facilities. Though younger viewers will get general pictures of how, for instance, internal-combustion (but not electric) cars are propelled, what MRIs and ultrasound scans reveal, and the main steps in printing and binding books, overall the visual detail is radically simplified in Lozano’s assemblages of cartoon images. Likewise, the sheaves of descriptive captions are light on specifics—noting that airplane wings create lift but neglecting to explain just how, say, or why maglev train magnets are supercooled. Still, Wilsher introduces simple machines at the outset (five of the six, anyway), and the ensuing selection of complex ones is current enough to include a spy drone and Space X’s Falcon 9 rocket. Along with displaying a range of skin tones, the human cast of machine users visible in most scenes includes an astronomer wearing a hijab. All in all, it’s a revealing, if sketchy, roll toward David Macaulay’s The Way Things Work Now (2016).
Just the ticket for mechanically curious kids. (Informational novelty. 7-9)Pub Date: Feb. 2, 2021
ISBN: 978-1-912920-20-4
Page Count: 48
Publisher: What on Earth Books
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James ‧ RELEASE DATE: Aug. 2, 2022
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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by Natalie Labarre ; illustrated by Natalie Labarre ‧ RELEASE DATE: April 14, 2020
Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book....
From funeral clown to cheese sculptor, a tally of atypical trades.
This free-wheeling survey, framed as a visit to “The Great Hall of Jobs,” is designed to shake readers loose from simplistic notions of the world of work. Labarre opens with a generic sculpture gallery of, as she puts it, “The Classics”—doctor, dancer, farmer, athlete, chef, and the like—but quickly moves on, arranging busy cartoon figures by the dozen in kaleidoscopic arrays, with pithy captions describing each occupation. As changes of pace she also tucks in occasional challenges to match select workers (Las Vegas wedding minister, “ethical” hacker, motion-capture actor) with their distinctive tools or outfits. The actual chances of becoming, say, the queen’s warden of the swans or a professional mattress jumper, not to mention the nitty-gritty of physical or academic qualifications, income levels, and career paths, are left largely unspecified…but along with noting that new jobs are being invented all the time (as, in the illustration, museum workers wheel in a “vlogger” statue), the author closes with the perennial insight that it’s essential to love what you do and the millennial one that there’s nothing wrong with repeatedly switching horses midstream. The many adult figures and the gaggle of children (one in a wheelchair) visiting the “Hall” are diverse of feature, sex, and skin color.
Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book. 7-9)Pub Date: April 14, 2020
ISBN: 978-1-5362-1219-8
Page Count: 48
Publisher: Nosy Crow
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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