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DREAM WEAVER

What hath Bettelheim wrought? We have here an old blind gypsy and the tales she spins for passers-by—seven stories of a mythic, usually sexual, nature, each tailored to its purchaser, all of them symbolizations of their situations, none of them construable on any other level. In the most mundane sense, it's as if Aesop were telling the story of the fox and the grapes to an envious soul. Thus, a cold, imperious husband is presented with "Man of Rock, Man of Stone" in which a quarrier, angered by his wife's insistent wish for a child (after their wedding: "Will we make a child tonight?"), tries to make a child of stone; but, unaccustomed to looking at children, he makes a man in his own image—which, taking fright, slays him. This is followed by "The Tree's Wife"—told to a sad young woman in black and her little son—wherein a rich young widow, rejecting her fortune-hunting suitors, declares she'd "sooner wed this tree," sees it turn into a man of birch, couples with him ("When his mouth came down on hers, she smelled the damp woody odor of his breath"), bears a child—and, after the tree dies (going, futilely, for a midwife), is lifted skyward with her child by the nearest birch. Says the widowed dream-buyer to her child: "Come. We will go to your father's people. They will take us in, I know that now." The framing device is hokey, the tales are realtively trite (but sententiously delivered) embodiments of classic motifs, the reader can only take them or leave them—not ponder their meaning for himself/herself. And goodness knows there's little to delight in.

Pub Date: April 1, 1979

ISBN: 0529055171

Page Count: 88

Publisher: Collins

Review Posted Online: May 11, 2012

Kirkus Reviews Issue: April 1, 1979

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CINDERELLA

This companion piece to the other fairy tales Marcia Brown has interpreted (see Puss In Boots, 1952, p. 548 and others) has the smoothness of a good translation and a unique charm to her feathery light pictures. The pictures have been done in sunset colors and the spreads on each page as they illustrate the story have the cumulative effect of soft cloud banks. Gentle.

Pub Date: June 15, 1954

ISBN: 0684126761

Page Count: 40

Publisher: Scribner

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: June 15, 1954

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THE NONSENSE SHOW

A picture book made to incite pleasure and joy.

The celebrated picture-book artist enthusiastically joins the nonsense tradition. 

Carle’s nearly 50-year career has produced myriad concept books about counting, the alphabet, and colors, as well as simple, original stories, retellings of fairy tales, and picture books that push the physical boundaries of the form. This latest proves that Carle can reinvent himself as a creator in the field, as he now revels in the absurd, eschewing any pretense of teaching a concept or even engaging with story. Instead, spread after spread uses nonsensical text and sublimely ridiculous pictures to provoke laughter and head-shaking delight. In addition to the book’s title, art immediately cues the book’s silly tone: the cover displays one of Carle’s signature collages against an empty white background; it depicts a duckling emerging from a peeled-back banana peel. The title-page art presents a deer sprouting flowers rather than antlers from its head. When the book proper begins, and language joins illustration, readers are ushered into a series of situations and scenarios that upend expectations and play with conventions. “Ouch! Who’s that in my pouch?” asks a kangaroo with a little blond child instead of a joey in her pouch. Another scene shows two snakes, joined at the middle and looking for their respective tails.

A picture book made to incite pleasure and joy. (Picture book. 3-7)

Pub Date: Oct. 13, 2015

ISBN: 978-0-399-17687-6

Page Count: 40

Publisher: Philomel

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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