A quiet and compelling story more closely tied to the classical fairy tale than the now-popular Disney version.
Yolen spins an interesting variation of the classical Snow White story, setting it in a small town in West Virginia in the 1940s.
Snow in Summer—named after the beautiful white flowers in the front yard and called Summer for short—is 7 years old when her mother dies. After her death, Summer’s father, Lemuel, is swallowed up by grief. Summer and her Cousin Nancy, who lives next door, do their best to hold things together as they watch Lemuel fade. Summer herself tells most of what happens in the years that follow, but occasional chapters are narrated by Cousin Nancy and, eventually, by Summer’s stepmother, who has enchanted Lemuel in hopes of getting control of his land. Stepmother saps the remaining vitality from Lemuel and makes Summer’s life a sequence of torments. The pace starts to pick up when Summer has her first period. Stepmother, convinced by now that Summer will not join her in what she calls “the craft,” arranges to have the girl killed. Summer has only the advice of a magic mirror and, eventually, seven small friends to aid her. Can she survive? Yolen folds in references to folk tales and songs as well as such classics as The Wonderful Wizard of Oz and the Just So Stories, giving the narrative a metafictive lift.
A quiet and compelling story more closely tied to the classical fairy tale than the now-popular Disney version. (Fantasy. 9-12)Pub Date: Nov. 1, 2011
ISBN: 978-0-399-256639
Page Count: 256
Publisher: Philomel
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: Oct. 15, 2011
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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