Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

ADÉLAÏDE

PAINTER OF THE REVOLUTION

Rich with historical detail and helmed by a formidable female protagonist.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A fictionalized rendering of the life of Adélaïde Labille-Guiard, artist, feminist, and French Revolutionary.

All Adélaïde had ever wanted was to be an artist. She began sketching as a child, and by the time she was a teenager, she aspired to one day see her paintings for sale in the Salons of the Louvre. On her 15th birthday, her mother, Marie-Anne, considers it time for the burgeoning artist to find a husband, a prospect that repels young Adélaïde. Fortunately, her father, Claude Labille, agrees that she was too young to marry, and later, he gives her a birthday present beyond her dreams: art lessons with their neighbor, Monsieur Vincent, an accomplished artist of miniature paintings. The year is 1766, and Adélaïde learns her way around miniature canvases and the Parisian commercial art world—where female artists aren’t typically welcome. Also working in Monsieur Vincent’s studio are his sons, François, the eldest of the two, and Alexandré. François will become the love of Adélaïde’s life, although their relationship will be fraught with obstacles and pain. In 1769, Adélaïde gains entrance to the Academy of St. Luke, a guild under whose license she is permitted to sell her paintings. But joy mixes despair. She must now honor a deathbed promise to her mother and marry the cruel aristocrat, Nicolas Guiard. Strube’s novel explores Adélaïde’s struggle to achieve independence and recognition as an artist, her relationship with Guiard, and her resultant poverty. It also examines how she secured sponsorship from members of the royal family and her support of—and later betrayal by—the French Revolution. Part romantic drama and part detailed history of the revolution, the novel depicts the plight of women of the era, with Adélaïde and her artist friends and students leading the charge to confront the legal and social barriers to equality. Strube’s engaging prose also captures the intricate subtleties of fine art, from the mixing of paints and preparation of canvases to the portrayal of light and texture with extraordinary realism.

Rich with historical detail and helmed by a formidable female protagonist.

Pub Date: Jan. 13, 2026

ISBN: 9798885281362

Page Count: 418

Publisher: Acorn

Review Posted Online: Sept. 25, 2025

Kirkus Reviews Issue: Nov. 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 154


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 154


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 476


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 476


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Close Quickview