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THE MEMORY LIBRARIAN

AND OTHER STORIES OF DIRTY COMPUTER

A celebration of queer and Afrofuturist science fiction saluting creativity in difference.

In her debut collection, musician and actress Monáe collaborates with a different writer for every story to explore a world defined by some people's resistance to a dangerous surveillance state in which memories are currency.

An introduction, "Breaking Dawn," lays out the collection's guiding thought experiment: In a world with cameras everywhere, most people have accepted the idea that "an eye in the sky might protect us from...ourselves, our world"—and soon, not content with seeing the surface of things, the New Dawn found ways "past the encrypted walls of our minds," into people's thoughts and memories. This constant surveillance divides the nation into those who are safe and clean and those who are "deviant, complex"—the dirty computers. The title story, written with Alaya Dawn Johnson, explores the life of Seshet, the Director Librarian of Little Delta, the New Dawn's highest-ranking position. Interested in the contradictions of bureaucracy and the conflict within someone with the power to enforce rules who doesn't abide by them, Seshet investigates the curious background of her new lover. “Nevermind” is both a memory-enhancing drug and a story (written with Danny Lore) set in an off-grid community where women and nonbinary people can exist free from “people trying to force so much on [them]. Capitalism for one; monogamy for another.” The theme of collective resistance continues in some of the other stories. In "Timebox," written with Eve L. Ewing, a couple discovers extra time hidden in their pantry, pushing them to grapple with inequities in the way time is distributed. The last story, “Timebox Alta(red),” written with Sheree Renée Thomas, has a group of children create an altar that transports them through time and space, showing that you can’t build the future if you don’t dream it first. Studded with references to Monáe's album Dirty Computer (2018), the book is a clever adaptation of music to a new form. Emotionally raw and with a wholehearted love for people, these stories will make readers long to forge deeper human connections by sharing and holding one another's memories.

A celebration of queer and Afrofuturist science fiction saluting creativity in difference.

Pub Date: April 19, 2022

ISBN: 978-0-06-307087-5

Page Count: 368

Publisher: Harper Voyager

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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