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THE JOLLY CHRISTMAS POSTMAN

Name: THE JOLLY CHRISTMAS POSTMAN
Author: Janet Ahlberg
ISBN: 0-316-02033-8

by Janet Ahlberg & Allan Ahlberg & illustrated by Janet Ahlberg & Allan Ahlberg ‧ RELEASE DATE: Oct. 1, 1991

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What could be more appropriate? The Jolly Postman (1986)- -cycling past ``the fast-eloping dish and spoon,'' a giant beanstalk, and King Cole's castle—delivers holiday letters and gifts addressed to ``Mr. H. Dumpty, Wincey Ward, Cock Robin Memorial Hospital''; the Gingerbread boy; and even ``Mister Wolf,'' found ``wolfing pies and sherry'' and sporting amiably with three pigs and the little red hen. All is reported in deft, jovial verse; six bound-in envelopes contain amusing missives- -cards, a picture puzzle (Humpty Dumpty, of course), a tiny pamphlet of a book, a picture letter (Granny's sound advice to R. Hood), and—for the postman—an accordion-style peep show. The illustrations are as charming as the text—even the postmarks are fun. Pure delight. (Picture book. 2+)

Pub Date: Oct. 1, 1991

ISBN: 0-316-02033-8

Page Count: 32

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1991

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE BEAR NOBODY WANTED
by Allan Ahlberg & illustrated by Janet Ahlberg

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THERE'S A MONSTER IN YOUR BOOK

From the Who's in Your Book? series

by Tom Fletcher ; illustrated by Greg Abbott ‧ RELEASE DATE: Sept. 5, 2017

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.

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Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.

“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)

Pub Date: Sept. 5, 2017

ISBN: 978-1-5247-6456-2

Page Count: 32

Publisher: Random House

Review Posted Online: June 4, 2017

Kirkus Reviews Issue: June 15, 2017

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THERE'S A BEAR IN YOUR BOOK
by Tom Fletcher ; illustrated by Tom Fletcher

- BOOK REVIEW
THERE'S A UNICORN IN YOUR BOOK
by Tom Fletcher ; illustrated by Greg Abbott

- BOOK REVIEW
THERE'S A WITCH IN YOUR BOOK
by Tom Fletcher ; illustrated by Greg Abbott

- BOOK REVIEW
THERE'S A BEAR IN YOUR BOOK
by Tom Fletcher ; illustrated by Tom Fletcher

- BOOK REVIEW
THERE'S A UNICORN IN YOUR BOOK
by Tom Fletcher ; illustrated by Greg Abbott

- BOOK REVIEW
THERE'S A WITCH IN YOUR BOOK
by Tom Fletcher ; illustrated by Greg Abbott

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

by Julia Alvarez ‧ RELEASE DATE: March 1, 2001

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

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Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)