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THE PROUD AND THE FREE

Dailey (Tangled Vines, 1992, etc.), who has trotted out a parade of agreeable sudsers and a tribute or two to the under- appreciated, here goes to bat for the Cherokee Nation. In 1838, the people of the Cherokee Nation were banished from their ancestral land in Georgia to what is now Oklahoma, a trek marked by suffering and death. Dailey's company of principals is made up of a fiery beauty, a powerful head of household, a broody hero, and a plain Jane (until she shakes out her ringlets). Temple Gordon, with ``features that appeared to have been sculpted by an artist's hand,'' is the daughter of Will Gordon, a member of the Cherokee Nation's Council (one of the ``civilized'' tribes, they had adopted a constitutional form of government). Temple and a blue-eyed, scar-faced Cherokee hunk called ``The Blade'' are drawn to each other like the legs of a clap-stick and marry, while white schoolmarm Eliza Hall tutors the other children in the Gordon family—one she has come to feel is her own—not letting on that she has an affinity for Will, who's been married for many years to sickly Victoria. The Gordons boast a grand mansion, a rich plantation, and black slaves—who are unaccountably devoted. Soon a split afflicts the Cherokee Nation as some like The Blade feel that with Georgians hot on grabbing their rich land and President Jackson doing nothing to stop it, they should sign a treaty for better terms. The majority, however, including the Gordons, are adamant—until the Army drives them from their homes. On the westward march of tears and misery, there are family deaths, and Temple, estranged from The Blade, is reunited with an old suitor. At the close there is a kind of reconciliation. Papery characters and a paltry yarn set against a monstrous wrong. (Doubleday Book Club selection; Literary Guild alternate selection)

Pub Date: Sept. 7, 1994

ISBN: 0-316-17165-4

Page Count: 336

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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