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The Devil Knows

A dramatic, historically illuminating soap opera about a woman’s adventures in a Canadian lumber camp.

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A debut historical novel captures the international turmoil following the Napoleonic Wars.

Susan Anderson was raised in London to be a genteel woman at ease among cosmopolitan sophisticates, but she is eventually struck by a sense of adventure. She travels to the hinterlands of northern Canada in the late 1830s with her widowed father, Rev. Thomas Anderson, who ventures there to make his missionary rounds. The two stay in a lumber camp established in an unforgivingly rustic environment, and Susan’s beauty unsettles the men, unused to such company. A drunken ruffian, Henri Lalond, assaults her one night, and she is saved by Dan Little Deer, who kills the attacker and flees. The relationship between the lumber company and the indigenous population is a delicate one, and the trial of Dan for murder could be potentially explosive. Susan also contends with complex romantic opportunities; a man close to her father’s age proposes to her and offers to whisk her away to the tropical climes of Jamaica. Then she starts to fall in love with the camp manager, John McIver. Meanwhile, her father is badly injured and grows dangerously ill. A journalist, Holt-Johnstone has produced a historically astute novel, capturing the collision of native North American culture and European exploration in the 1800s. The plot unfolds briskly, and the author artfully constructs an atmosphere of dangerous expectancy. Sometimes the dialogue can be wooden and halting, even for the mid-19th century. At one point, John asserts: “If it were not for the simple skills I learned as a child watching my father in his practice at Annandale, and the use of herbs the Indians gather here in the forest, mortality among my men would be much greater.” But the author does an admirable job developing Susan’s character; she’s both callow and precociously wise. In some ways, she represents the spirit of the age, hopefully adventurous but a touch naïve. It seems bizarre that her father brought her to Canada in the first place—he informs no one at the camp in advance of his trip that she’s accompanying him, and he should know he’s possibly putting her in harm’s way. But despite its flaws, this book remains an entertaining and well-researched work.

A dramatic, historically illuminating soap opera about a woman’s adventures in a Canadian lumber camp.

Pub Date: Oct. 22, 2015

ISBN: 978-1-63135-966-8

Page Count: 338

Publisher: Strategic Book Publishing & Rights Agency

Review Posted Online: April 8, 2016

Kirkus Reviews Issue: June 1, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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