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The Devil Knows

A dramatic, historically illuminating soap opera about a woman’s adventures in a Canadian lumber camp.

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A debut historical novel captures the international turmoil following the Napoleonic Wars.

Susan Anderson was raised in London to be a genteel woman at ease among cosmopolitan sophisticates, but she is eventually struck by a sense of adventure. She travels to the hinterlands of northern Canada in the late 1830s with her widowed father, Rev. Thomas Anderson, who ventures there to make his missionary rounds. The two stay in a lumber camp established in an unforgivingly rustic environment, and Susan’s beauty unsettles the men, unused to such company. A drunken ruffian, Henri Lalond, assaults her one night, and she is saved by Dan Little Deer, who kills the attacker and flees. The relationship between the lumber company and the indigenous population is a delicate one, and the trial of Dan for murder could be potentially explosive. Susan also contends with complex romantic opportunities; a man close to her father’s age proposes to her and offers to whisk her away to the tropical climes of Jamaica. Then she starts to fall in love with the camp manager, John McIver. Meanwhile, her father is badly injured and grows dangerously ill. A journalist, Holt-Johnstone has produced a historically astute novel, capturing the collision of native North American culture and European exploration in the 1800s. The plot unfolds briskly, and the author artfully constructs an atmosphere of dangerous expectancy. Sometimes the dialogue can be wooden and halting, even for the mid-19th century. At one point, John asserts: “If it were not for the simple skills I learned as a child watching my father in his practice at Annandale, and the use of herbs the Indians gather here in the forest, mortality among my men would be much greater.” But the author does an admirable job developing Susan’s character; she’s both callow and precociously wise. In some ways, she represents the spirit of the age, hopefully adventurous but a touch naïve. It seems bizarre that her father brought her to Canada in the first place—he informs no one at the camp in advance of his trip that she’s accompanying him, and he should know he’s possibly putting her in harm’s way. But despite its flaws, this book remains an entertaining and well-researched work.

A dramatic, historically illuminating soap opera about a woman’s adventures in a Canadian lumber camp.

Pub Date: Oct. 22, 2015

ISBN: 978-1-63135-966-8

Page Count: 338

Publisher: Strategic Book Publishing & Rights Agency

Review Posted Online: April 8, 2016

Kirkus Reviews Issue: June 1, 2016

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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