A poetic, nuanced tribute to the power of music and family.
In this memoir, a cellist explores her immigrant parents’ past as Holocaust survivors.
Growing up in a Jewish family in her birthplace of Toronto, Canada, Janet Horvath was told she was given her first name because it was “intentionally English, not Hungarian, and not Jewish.” Though her parents always welcomed her friends with warm hospitality, they largely kept to themselves and were reluctant to discuss what they endured during World War II. After Janet married, she had a son and moved to the United States to work as a professional cellist like her father. She frequently visited her elderly parents, especially after her mother suffered a stroke, and made a major discovery: In 1948, her dad played in an orchestra of Holocaust survivors in Landsberg, Germany, conducted by Leonard Bernstein. Janet began a deep dive into her parents’ journey from their native Hungary, where they met studying music at Budapest’s Liszt Academy; the night before Janet’s father was sent to a Nazi labor camp in 1944, her parents married young so her mother wouldn’t be deported. Meanwhile, Janet reckoned with a mysterious ear injury that threatened to end her relationship with the cello—her father’s legacy. Horvath’s memoir thoroughly explores the complicated aftermath of the Holocaust, when those who survived Nazi occupation and concentration camps were displaced persons, reliant on the kindness of friends, relatives, and strangers—and many, like Janet’s parents, were forced to temporarily relocate to Germany. Horvath’s prose is lyrical (“Consider a time when hell was on earth, when hands accustomed to a musician’s bow, a writer’s pen, a doctor’s scalpel, a painter’s brush, a tailor’s needle, wielded shovelfuls of rocks, limestone, or human remains”) and brutally honest as she explores how trauma leads to complex dynamics; Janet’s father and brother were often estranged, and Janet frequently found herself torn between her life in Minnesota and her parents, who were slowly but surely fading away. In a world in which antisemitism is on the rise, Horvath’s story—equal parts disturbing and inspiring—is necessary and timely reading.
A poetic, nuanced tribute to the power of music and family.Pub Date: Feb. 27, 2023
ISBN: 9789493276819
Page Count: 412
Publisher: Amsterdam Publishers
Review Posted Online: June 1, 2023
Kirkus Reviews Issue: July 15, 2023
Review Program: Kirkus Indie
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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