A defining chronicle of strength and spirit particularly remarkable for younger readers, both in transition or questioning.
Journalist and TV television host Mock’s second memoir (Redefining Realness, 2014) addresses issues of identity, insecurity, and self-discovery.
The book begins unconventionally at the door to a strip club in Hawaii where the author, a trans woman of color, recalls using a fake ID to get a stripper job to work her way through college. Much of how Mock conducts her life now was borne from mistakes made and lessons learned in her formative 20s, the time frame that the memoir primarily focuses on. The daughter of a native Hawaiian mother and a black father from Texas, she admits to being raised in an unorthodox family. After her parents divorced, her mother raised her with a “laissez-faire approach to parenting that enabled me to do whatever I wanted throughout my youth,” which included hormone therapy and, eventually, sex-reassignment surgery at age 18. At the strip club, she writes of being wholly “stealth” (seamlessly blending in as a trans woman), as were other girls there and on the streets where Mock hustled. As trying as those days seemed to her, they were also educational and afforded her time to become comfortable with and intimately acknowledge and appreciate her physicality and sexuality. Troy, a man she’d met at the club, would become the first love interest to whom she would disclose her trans status. Brimming with liberated self-discovery, Mock’s conversational memoir is smoothly written with plenty of insight and personal perspective, some of which is bittersweet, as when reflecting on her turbulent relationship with Troy: “Being alone is unbearable when you’ve enjoyed a reprieve with togetherness.” Though a traumatic sexual assault derailed her physical sense of security, journalism courses and a career redirection in New York City paved the way toward the celebrated media personality she has become today.
A defining chronicle of strength and spirit particularly remarkable for younger readers, both in transition or questioning.Pub Date: June 13, 2017
ISBN: 978-1-5011-4579-7
Page Count: 256
Publisher: Atria
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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