Next book

APPLE PIE 4TH OF JULY

“No one wants Chinese food / on the Fourth of July, I say. / Fireworks are Chinese, Father says, / and hands me a pan full of sweet-and-sour pork.” A Chinese-American girl grapples with issues of culture, identity, and acceptance in this well-conceived work. In the opening spread, executed in a printmaking technique similar in style to a woodcut, the girl leans against the gray door of her parents’ store wearing a long expression on her face and a red-and-white striped shirt with blue overalls. “I hear the parade coming this way—/ boom, boom, boom. / I smell apple pie in Laura’s oven upstairs,” she says. Yet in her own kitchen, her parents prepare chow mein. Later, a quintet of evenly spaced spot illustrations stretch across the length of the page. Text appears above the pictures of the girl sitting on a green stool: “One o’clock, / and they buy ice cream. / Two o’clock. / The egg rolls are getting hard. / Three o’clock. / Ice and matches. / Four o’clock, / and the noodles feel like shoelaces.” “My parents do not understand all American things. / They were not born here,” she says on the next spread, certain that the food will go uneaten. But her demeanor changes when customers start trickling in. Soon, she steps behind the counter to help fill orders. In the end, the story comes full circle as the girl heads to the rooftop to watch the fireworks with her family and friends from the neighborhood; on the final spread, she eats a piece of apple pie. All at once, cultural boundaries don’t seem quite as defined. (Picture book. 3-7)

Pub Date: May 1, 2001

ISBN: 0-15-202543-X

Page Count: 40

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2002

Next book

CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

Next book

BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

Close Quickview